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The Lesche of the Knidians (or Cnidians) was a lesche, i.e. a club or meeting place, at the sanctuary of Apollo in Delphi. Today, it has been mostly destroyed; the only surviving parts are some architectural relics. It hosted two famous paintings by the famous painter Polygnotus the Thasian, namely the Capture of Troy and the Nekyia. It was ...
Where traditional compositions generally contrast an ordered, harmonious heavenly world above with the tumultuous events taking place in the earthly zone below, in Michelangelo's conception the arrangement and posing of the figures across the entire painting give an impression of agitation and excitement, [4] and even in the upper parts there is "a profound disturbance, tension and commotion ...
The Feast of the Gods (French: Le Festin des dieux) is a painting by the Dutch painter Jan van Bijlert, created around 1635–1640. It is in the Musée Magnin in Dijon , France. It is one of a number of pictures in western art to depict the feast of the Gods , in this case at the marriage of Thetis and Peleus , with Bacchus in the foreground ...
The painting depicts the moment when the god Apollo, identifiable by the crown of laurel on his head, visits Vulcan, who is found making weapons for war. The god Apollo tells Vulcan that his wife, Venus, is having an affair with Mars, the god of war. For this reason, the other figures in the room are looking in surprise at the god who has just ...
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The painting's catalogue entry at the time of its first exhibition described it as "Homer receiving homage from all the great men of Greece, Rome and modern times. The Universe crowns him, Herodotus burns incense. [2] The Iliad and Odyssey sit at his feet." Study for Phidias in The Apotheosis of Homer, oil on canvas, 1827, San Diego Museum of Art
Cumaean Sibyl by Andrea del Castagno Cumaean Sibyl on a coin of 43 BC, shown riding in a biga drawn by lions with a patera in her hand.. The Cumaean Sibyl (Latin: Sibylla Cumana) was the priestess presiding over the Apollonian oracle at Cumae, a Greek colony near Naples, Italy.
Metropolitan Museum of Art. The Persephone Painter, working from about 475 to 425 BCE, is the pseudonym of an ancient Attic Greek vase painter, named by Sir John Beazley after investigating a red-figure bell-krater vase of about 440 BC, which includes a mythological scene of the return of Persephone from Hades.