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Spanish is a pro-drop language with respect to subject pronouns, and, like many European languages, Spanish makes a T-V distinction in second person pronouns that has no equivalent in modern English. Object pronouns can be both clitic and non-clitic, with non-clitic forms carrying greater emphasis.
La forma/manera en que/en la que/como reaccionasteis = "The way that/in which/how you reacted" (en que is the most common and natural, like "that" or the null pronoun in English; but como is possible, as "how" is in English) Note that mismo tends to require que: Lo dijo del mismo modo que lo dije yo = "She said it the same way [that] I did"
The você (subj.) / te (obj.) combination, e.g. Você sabe que eu te amo, is a well-known peculiarity of modern General Brazilian Portuguese and is similar in nature to the vocês (subj.) / vos (obj.) / vosso (poss.) combination found in modern colloquial European Portuguese. Both combinations would be condemned, though, by prescriptive school ...
"Bésame Mucho" (Spanish: [ˈbesame ˈmutʃo]; "Kiss Me A Lot") is a bolero song written in 1932 by Mexican songwriter Consuelo Velázquez. [2] It is one of the most popular songs of the 20th century and one of the most important songs in the history of Latin music.
"Yo Te Amo" (transl. "I Love You" ) is a song by Puerto Rican singer Chayanne from his ninth studio album, Simplemente (2000). [ 1 ] The song was written and produced by Estéfano and released as the lead single from the album in 2000 by Sony Discos in the United States.
The pronouns yo, tú, vos, [1] él, nosotros, vosotros [2] and ellos are used to symbolise the three persons and two numbers. Note, however, that Spanish is a pro-drop language, and so it is the norm to omit subject pronouns when not needed for contrast or emphasis. The subject, if specified, can easily be something other than these pronouns.
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Posthumously, an unprecedented album was released on digital platforms entitled "Yo Te Amo", which brings the musician's hits sung in Spanish and arrives 51 years after his original recording, made in 1970. [35]