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The School of Athens (Italian: Scuola di Atene) is a fresco by the Italian Renaissance artist Raphael.It was painted between 1509 and 1511 as part of a commission by Pope Julius II to decorate the rooms now called the Stanze di Raffaello in the Apostolic Palace in Vatican City.
The Raphael Trail: The Secret History of One of the World's Most Precious Works of Art; Joanna Pitman, 2006. ISBN 0091901715 Raphael: A Critical Catalogue of his Pictures, Wall-Paintings and Tapestries , catalogue raisonné by Luitpold Dussler published in the United States by Phaidon Publishers, Inc., 1971, ISBN 0-7148-1469-5 (out of print ...
The Miraculous Draught of Fishes St Paul Preaching in Athens A rare display of the tapestries in the Sistine Chapel, 2011 Christ's Charge to Peter. The Raphael Cartoons are seven large cartoons for tapestries, surviving from a set of ten cartoons, designed by the High Renaissance painter Raphael in 1515–1516.
Metropolitan Museum of Art, New York, United States: Oil and gold on panel 169,5 x 168,9 c. 1504 The Agony in the Garden [Wikidata] Metropolitan Museum of Art, New York, United States: Oil on panel 24,1 x 28,9 Lamentation over the Dead Christ (Raphael) [Wikidata] Isabella Stewart Gardner Museum, Boston, United States: Oil on panel 23,5 x 28,8 c ...
Paintings of the Madonna by the Italian renaissance artist Raphael. Media related to Madonnas by Raffaello Sanzio at Wikimedia Commons Pages in category "Paintings of the Madonna and Child by Raphael"
Original black and white photo image. At the onset of the Nazi German invasion of Poland in 1939, then family patriarch Prince Augustyn Józef Czartoryski rescued numerous pieces from the Czartoryski Museum, including Portrait of a Young Man, Leonardo's Lady with an Ermine and Rembrandt's masterpiece, Landscape with the Good Samaritan. [5]
The Madonna and Child Enthroned with Saints (Young Baptist and Saints Peter, Catherine, Lucy, and Paul), [1] also known as the Colonna Altarpiece, is a painting by the Italian High Renaissance artist Raphael, executed c. 1503-1505. It is housed in the Metropolitan Museum of Art of New York City. It is the only altarpiece by Raphael in the ...
A restoration of the painting in 1934–36 confirmed art historian Roberto Longhi's attribution of the work to Raphael, and the removal of heavy repainting revealed the unicorn, traditionally a symbol of chastity in medieval romance, in place of a Saint Catherine wheel. [1]
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