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A Celtic cross symbol. The Celtic cross is a form of Christian cross featuring a nimbus or ring that emerged in Ireland, France and Great Britain in the Early Middle Ages.A type of ringed cross, it became widespread through its use in the stone high crosses erected across the islands, especially in regions evangelised by Irish missionaries, from the ninth through the 12th centuries.
One very basic form of Celtic or pseudo-Celtic linear knotwork. Stone Celtic crosses, such as this, are a major source of knowledge regarding Celtic knot design. Carpet page from Lindisfarne Gospels, showing knotwork detail. Almost all of the folios of the Book of Kells contain small illuminations like this decorated initial.
Early Celtic art is another term used for this period, stretching in Britain to about 150 AD. [2] The Early Medieval art of Britain and Ireland, which produced the Book of Kells and other masterpieces, and is what "Celtic art" evokes for much of the general public in the English-speaking world, is called Insular art in art history. This is the ...
Creative cross tattoo ideas and the significance of this type of ink.
This type has several variants, including the cruciform halo and the Celtic cross. [5] A cruciform halo is used to represent the persons of the Holy Trinity, especially Jesus, and it was used especially in medieval art. Forked cross: A cross in the form of the letter Y that gained popularity in the late 13th or early 14th century in the German ...
The Celtic Revival (also referred to as the Celtic Twilight [1]) is a variety of movements and trends in the 19th, 20th and 21st centuries that see a renewed interest in aspects of Celtic culture. Artists and writers drew on the traditions of Gaelic literature , Welsh-language literature , and Celtic art —what historians call insular art (the ...
From tiny, delicate patterns to bold, sprawling works of art, mandala tattoos showcase harmony and symmetry in every detail — a reflection of centuries-old spiritual traditions, religious ...
The triquetra is often found in insular art, most notably metal work and in illuminated manuscripts like the Book of Kells. It is a "minor though recurring theme" in the secondary phase of Anglo-Saxon sceatta production (c. 710–760). [2] It is found in similar artwork on early Christian High Crosses and slabs.
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