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Naturalism is a literary movement beginning in the late nineteenth century, similar to literary realism in its rejection of Romanticism, but distinct in its embrace of determinism, detachment, scientific objectivism, and social commentary. Literary naturalism emphasizes observation and the scientific method in the fictional portrayal of reality.
Huysmans's 1884 novel À rebours (Against the Grain or Against Nature or Wrong Way) became his most famous, or notorious. It featured the character of an aesthete, des Esseintes, and decisively broke from Naturalism. It was seen as an example of "decadent" literature.
Ira Wells, University of Toronto Academic Programs director, in his work Fighting Words, [4] seeks a new understanding of what literary naturalism is and why it matters. He countered the accepted view of literary naturalism being concerned with environmental and philosophical determinism and focused on the polemical essence of the genre ...
Naturalism was an outgrowth of literary realism, influenced by Charles Darwin's theory of evolution. [26] Whereas realism seeks only to describe subjects as they really are, naturalism also attempts to determine "scientifically" the underlying forces (e.g., the environment or heredity) influencing the actions of its subjects. [ 27 ]
Neo-romanticism as well as Romanticism is considered in opposition to naturalism—indeed, so far as music is concerned, naturalism is regarded as alien and even hostile (Dahlhaus 1979, 100). In the period following German unification in 1871, naturalism rejected Romantic literature as a misleading, idealistic distortion of reality.
Symbolism was a late 19th-century art movement of French and Belgian origin in poetry and other arts seeking to represent absolute truths symbolically through language and metaphorical images, mainly as a reaction against naturalism and realism. In literature, the style originates with the 1857 publication of Charles Baudelaire's Les Fleurs du mal.
À rebours (French pronunciation: [a ʁ(ə).buʁ]; translated Against Nature or Against the Grain) is an 1884 novel by the French writer Joris-Karl Huysmans. The narrative centers on a single character: Jean des Esseintes, an eccentric, reclusive, ailing aesthete .
3. Therefore, if naturalism is true, then no belief is rationally inferred (from 1 and 2). 4. We have good reason to accept naturalism only if it can be rationally inferred from good evidence. 5. Therefore, there is not, and cannot be, good reason to accept naturalism. [1] In short, naturalism undercuts itself.