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"Meet the Flintstones", also worded as "(Meet) The Flintstones", is the theme song of the American 1960s animated television series The Flintstones.Composed in 1961 by Hoyt Curtin, Joseph Barbera and William Hanna, it is one of the most popular and best known of all theme songs, with its catchy lyrics "Flintstones, meet the Flintstones, they're the modern Stone Age family".
For instance, in the opening scenes of the animated movie "The Man Called Flintstone," the outskirts are depicted as a lush jungle. The residents of Bedrock are portrayed as friendly and quirky. They have a strong community spirit and often take part in charities and parades.
The Flintstones was the most financially successful and longest-running network animated television series for three decades, until The Simpsons surpassed it in 1997. [6] In 2013, TV Guide ranked The Flintstones the second-greatest TV cartoon of all time, after The Simpsons. [7]
The Flintstones was a box office success, grossing $130.5 million in the U.S. and Canada, including the $37.2 million it made during its 4-day Memorial Day opening weekend in 1994 (a then-record gross for the Memorial Day weekend, surpassing Indiana Jones and the Last Crusade).
The Flintstones: On the Rocks is a 2001 American animated made-for-television comedy-drama film featuring characters from The Flintstones franchise. Co-directed by Chris Savino and David Smith, [1] it was dedicated to Hoyt Curtin (longtime Hanna-Barbera conductor and composer) and William Hanna (creator of The Flintstones and founder of Hanna-Barbera Productions with partner Joseph Barbera).
Halle Berry. Greg Doherty/Getty Images Halle Berry has fond memories of her time in Bedrock. The actress shared an Instagram video on Sunday, May 26, remembering her role as seductive secretary ...
Notes: This was the original pilot episode for The Flintstones, but was never shown with the original series. It was actually a 90-second "demo reel" (with grease pencil marks still visible on the film), designed to sell the series to potential advertisers in the winter of 1959, depicting a scene from what would eventually become the episode ...
The scene's tense silence is shattered when Laura reaches for the man's gun, and slams it onto a table to give Andy time to run away. The man recovers the gun, then finds it's out of bullets.