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"An example of how Shakespeare added biblical references to what he found in his sources can be seen in the passage in Hall relating the death of Warwick's brother. Hall simply says: “He [Lord Fitzwater] was slayne, and with hym the Bastard of Salisbury, brother to the erle of Warwycke, a valeaunt yong gentelman."
The Hebrew scriptures were an important source for the New Testament authors. [13] There are 27 direct quotations in the Gospel of Mark, 54 in Matthew, 24 in Luke, and 14 in John, and the influence of the scriptures is vastly increased when allusions and echoes are included, [14] with half of Mark's gospel being made up of allusions to and citations of the scriptures. [15]
Typology in Christian theology and biblical exegesis is a doctrine or theory concerning the relationship of the Old Testament to the New Testament. Events, persons or statements in the Old Testament are seen as types prefiguring or superseded by antitypes, events or aspects of Christ or his revelation described in the New Testament.
A Christ figure, also known as a Christ-Image, is a literary technique that the author uses to draw allusions between their characters and the biblical Jesus.More loosely, the Christ figure is a spiritual or prophetic character who parallels Jesus, or other spiritual or prophetic figures.
The Four Horsemen of the Apocalypse [1] are figures in the Book of Revelation in the New Testament of the Bible, a piece of apocalypse literature attributed to John of Patmos, and generally regarded as dating to about AD 95. Similar allusions are contained in the Old Testament books of Ezekiel and Zechariah, written about
There is an elaboration of the biblical character in Basque mythology which differs in its features from the original. Quite paradoxically, the Basque Samson does not stand for Christian values, but is represented as a giant living in the mountains far from other inhabitants of the villages and the valley; he is a jentil or Basque pagan of the forest.
Like many of Eliot's poems, "The Love Song of J. Alfred Prufrock" makes numerous allusions to other works, which are often symbolic themselves. In "Time for all the works and days of hands" (29) Works and Days is the title of a long poem – a description of agricultural life and a call to toil – by the early Greek poet Hesiod. [27]
Papyrus 45 (c. AD 250), showing Mark 8:35–9:1.. The intertextual production of the Gospel of Mark is the viewpoint that there are identifiable textual relationships such that any allusion or quotation from another text forms an integral part of the Markan text, even when it seems to be out of context.