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White-ground vases were produced, for example, in Ionia, Laconia and on the Cycladic islands, but only in Athens did it develop into a veritable separate style beside black-figure and red-figure vase painting. For that reason, the term "white-ground pottery" or "white-ground vase painting" is usually used in reference to the Attic material only.
Dehua porcelain ink brush holder, with design of carved cranes and lotuses worked into the paste. Late 17th–18th century (Qing dynasty), 9.7 cm (3.8 in) tallDehua porcelain (Chinese: 德化陶瓷; pinyin: Déhuà Táocí; Pe̍h-ōe-jī: Tek-hòe hûi), more traditionally known in the West as Blanc de Chine (French for "White from China"), is a type of white Chinese porcelain, made at Dehua ...
Wucai Goldfish Vase from the Jiajing period (1521–67) of the Ming dynasty Wucai jar with the Eight Immortals, Wanli reign, 1573–1620. Wucai (五彩, "Five colours", "Wuts'ai" in Wade-Giles) is a style of decorating white Chinese porcelain in a limited range of colours.
The mounts referred to in the 1823 description were of enamelled silver-gilt and were added to the vase in Europe in 1381. An 18th-century water colour of the vase complete with its mounts exists, but the mounts themselves were removed and lost in the 19th century. The vase is now in the National Museum of Ireland.
Small Guan bowl on legs (some 3 inches across), with pronounced type 3 glaze crackle Mallet-shaped vase, Guan ware, 12th–13th century, with type 1 crackle. Guan ware or Kuan ware (Chinese: 官窯; pinyin: guān yáo; Wade–Giles: kuan-yao) is one of the Five Famous Kilns of Song dynasty China, making high-status stonewares, whose surface decoration relied heavily on crackled glaze, randomly ...
Jasperware vase and cover, Wedgwood, about 1790, in the classic colours of white on "Wedgwood Blue".The design incorporates sprig casts of the muses supplied by John Flaxman, Sr. [1] Victoria and Albert Museum, London
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