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2. I–V–vi–IV progression - Wikipedia

   en.wikipedia.org/wiki/I–V–vi–IV_progression

   The chord progression is also used in the form IV–I–V–vi, as in songs such as "Umbrella" by Rihanna [5] and "Down" by Jay Sean. [6] Numerous bro-country songs followed the chord progression, as demonstrated by Greg Todd's mash-up of several bro-country songs in an early 2015 video. [7]

3. List of popular music songs featuring Andalusian cadences

   en.wikipedia.org/wiki/List_of_popular_music...

   Following is a list of popular music songs which feature a chord progression commonly known as Andalusian cadences. Items in the list are sorted alphabetically by the band or artist 's name. Songs which are familiar to listeners through more than one version (by different artists) are mentioned by the earliest version known to contain ...

4. Royal road progression - Wikipedia

   en.wikipedia.org/wiki/Royal_road_progression

   IV M7 –V 7 –iii 7 –vi chord progression in C. Play ⓘ One potential way to resolve the chord progression using the tonic chord: ii–V 7 –I. Play ⓘ. The Royal Road progression (王道進行, ōdō shinkō), also known as the IV M7 –V 7 –iii 7 –vi progression or koakuma chord progression (小悪魔コード進行, koakuma kōdo shinkō), [1] is a common chord progression within ...

5. 75 Easy Karaoke Songs That Will Bring Down the House

   www.aol.com/75-easy-karaoke-songs-bring...

   4. “The Boy Is Mine” by Brandy and Monica. Notable lyrics: "When will you get the picture.You're the past, I'm the future. Get away, it's my time to shine. If you didn't know, the boy is mine."

6. List of chord progressions - Wikipedia

   en.wikipedia.org/wiki/List_of_chord_progressions

   I–V–vi–IV chord progression in C: 4: ... Cadence (music) This page was last edited on 8 January 2025, at 08:17 (UTC). Text is available under the Creative ...

7. Heart and Soul (Frank Loesser and Hoagy Carmichael song)

   en.wikipedia.org/wiki/Heart_and_Soul_(Frank...

   "Heart and Soul" is a popular song composed by Hoagy Carmichael with lyrics by Frank Loesser. It charted with different artists between 1938 and 1961. A simplified version is a popular piano duet. Larry Clinton and his Orchestra were the first to record and release the song in 1938 with Bea Wain on vocals.