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In the spring of 1865, Hall wrote "Jesus Paid It All" "on the fly-leaf of the New Lute of Zion hymnal, in the choir of the Methodist Episcopal Church, Baltimore." [3] [4] [5] Hall then shared the lyrics with her pastor who connected her with the church organist, John Grape (1835-1915), who had recently shared a new tune he had written.
He composed numerous sets of psalm and hymn tunes and several anthems, including New Set of Sacred Music, in three parts (1811), A Second Sett of Psalm and Hymn Tunes (1814), The Vocal Instructor (1830), The Harp of Zion (1845), The Seraphic Choir (1840), Melodia Divina (1841, supplement 1854), Music for Thousands (1845), The Cherub Lute (1845 ...
Siionin virret ("Hymns of Zion") is a hymnbook of the Finnish Awakening religious revival movement (Herännäisyys). The hymnal is used in the traditional conventicle 'seurat' which is an informal religious gathering taking often place in homes. Hymns of Zion are also sung in the religious summer festival 'Herättäjäjuhlat' of the Awakening ...
Emily Hill Woodmansee (March 24, 1836 – October 18, 1906) [1] was an English-born American Mormon poet and hymnwriter. Although only one of her hymns "As Sisters In Zion" is included in the 1985 LDS English language edition of the LDS Church's hymnbook, previous LDS Church hymnbooks have included more of her works.
Chapter 20 Angels and the Muses of Zion: Michael Praetorius and Cultural Exchange between the Danish and German Lutheran Courts before the Thirty Years' War. In:Tracing the Jerusalem Code, Vol. 2: The Chosen People Christian Cultures in Early Modern Scandinavia (1536–ca. 1750), ed. Eivor Andersen Oftestad, Joar Haga. Berlin, Boston: De Gruyter.
"Glorious Things of Thee Are Spoken", also called "Zion, or the City of God", [1] is an 18th-century English hymn written by John Newton, who also wrote the hymn "Amazing Grace". Shape note composer Alexander Johnson set it to his tune "Jefferson" in 1818, [ 2 ] and as such it has remained in shape note collections such as the Sacred Harp ever ...
Not only the musical forms, but the individual tunes of the Catholic Church were replaced by reformers, although there was often a close relation between the original and the replacement. Composers, including Martin Luther himself, both composed new tunes for the German chorale texts and adapted specific plainchant melodies. These chorales were ...
The three verses of the song describe in turn, a crowd cheering Jesus Christ's triumphal entry into Jerusalem on Palm Sunday, Jesus's crucifixion on Good Friday, and the eventual "New Jerusalem" (Zion) of universal peace and brotherhood, which is foretold in Isaiah 2:4 [2] and Isaiah 11:6-9. [3]
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