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Fiction theory (also referred to as Fictionality theory) is a discipline that applies a form of possible world theory to literature. Drawing on concepts found in related theories and psychological ideas such as Parasocial interaction (PSI) and Fictionalism , theorists of fiction study the relationships between perceived textual worlds and ...
Fictionalism is a view in philosophy that posits that statements appearing to be descriptions of the world should not be construed as such, but should instead be understood as cases of "make believe", thus allowing individuals to treat something as literally true (a "useful fiction").
Notably, Stephen Yablo (Yablo 1996) employs Walton's theory of make-believe in his modal fictionalism, which he also refers to as figuralism. One of the primary advantages of adopting a fictional approach to possible worlds is the ability to utilize the language of possible worlds without committing to their literal existence.
Literary theory is the systematic study of the nature of literature and of the methods for literary analysis. [1] Since the 19th century, literary scholarship includes literary theory and considerations of intellectual history , moral philosophy, social philosophy, and interdisciplinary themes relevant to how people interpret meaning . [ 1 ]
The theory argues that people do not experience real emotions with fiction but rather something less intense. [6] People experience quasi-emotions that they imagine to be real emotions. [ 6 ] For example, when watching a horror movie where the monster makes an attack towards the viewer (towards the camera), the viewer can be startled but does ...
Since fiction is most long-established in the realm of literature (written narrative fiction), the broad study of the nature, function, and meaning of fiction is called literary theory, and the narrower interpretation of specific fictional texts is called literary criticism (with subsets like film criticism and theatre criticism also now long ...
It is now considered important in the field of fiction theory. In a 1967 review of the book, The New York Times described it as "impressively learned, eloquent and brilliant". [4] More recently The Daily Telegraph called it "magnificent", [5] and Adam Phillips, in the London Review of Books, "one of the best books I had ever read". [6]
Odyssey (), Alice's Adventures in Wonderland (Lewis Carroll), "Goldilocks and the Three Bears", Orpheus, The Time Machine (), Peter Rabbit (Beatrix Potter), The Hobbit (J.R.R. Tolkien), Brideshead Revisited (Evelyn Waugh), "The Rime of the Ancient Mariner" (Samuel Taylor Coleridge), Gone with the Wind (Margaret Mitchell), The Third Man, The Lion King, Back to the Future, The Lion, the Witch ...