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Brahms’ experience in writing his Clarinet Quintet three years earlier led him to compose the sonatas for clarinet and piano because he preferred the sound over that of clarinet with strings. [6] The keys of the sonatas—F minor and E ♭ major—correspond to the keys of the two clarinet concertos which Weber composed more than eighty years ...
Op. 120, No. 1, also entitled Opus 120, No. 1 or in its German form, Opus 120, Nr. 1, is a 1986 arrangement for clarinet and orchestra of Johannes Brahms's Clarinet Sonata Op. 120, No. 1 by Italian composer Luciano Berio. As with the original Sonata, the soloist in this arrangement can either be a clarinet or a viola.
A clarinet sonata is piece of music in sonata form for clarinet, often with piano accompaniment. The Clarinet Sonatas by Brahms are of special significance in the development of the clarinet repertoire.
Op. 15 Piano Concerto No. 1 in D minor : piano, orchestra 1854–58 original version as Sonata for Two Pianos 1854 (Mvts 2 & 3 are Anh. 2a/2) (discarded), 2nd version as Symphony in D minor in 4 mvts (4th mvt never written) 1854–55 (Mvts 2 & 3 are Anh. 2a/2) (discarded), final version (Piano Concerto) in 3 mvts (only 1st mvt from previous versions, 2nd & 3rd mvts new) 1855–58;
Brahms Clarinet Quintet in B minor, Op. 115 Fine Arts Quartet: 1951, DL 9532 Brahms Sonata for Clarinet and Piano in F minor, Op. 120 No.1 Joel Rosen, piano 1953, DL 9639 Brahms Sonata for Clarinet and Piano in E ♭ major, Op. 120 No.2 Joel Rosen, piano 1953, DL 9639 Brahms Trio for Clarinet, Cello and Piano in A minor, Op. 114
After Brahms listened to Mühlfeld play Weber's Clarinet Concerto No. 1 in F Minor, Mozart's Clarinet Quintet and some of Ludwig Spohr's works, his sound quality and musicianship inspired Brahms to start composing again. Brahms later wrote letters to his old friend Clara Schumann about the skill level he saw in this clarinettist's playing ...
It is notable that Brahms' other F minor sonata-form first movements – from the Sonata Op. 5 and the Clarinet Sonata Op. 120/1 – also have an expositional goal of D ♭ major, and both also are followed by a slow movement in A ♭ major.
PNINA SALZMAN Vol. 2, BRAHMS: Trio for Piano, Clarinet and Cello in A minor Op. 114, Sonata for Clarinet and Piano in F minor Op. 120 No. 1, Sonata for Clarinet and Piano in E♭ major Op. 120 No. 2. Yona Ettlinger (clarinet), Pnina Salzman (piano), Uzi Wiesel (cello). Recorded live, Jerusalem, 1975. Doremi Records, DHR-7830.
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