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In Kant's Transcendental Idealism, Henry E. Allison proposes a new reading that opposes, and provides a meaningful alternative to, Strawson's interpretation. [14] Allison argues that Strawson and others misrepresent Kant by emphasising what has become known as the two-worlds reading (a view developed by Paul Guyer). This—according to Allison ...
Kant's advocacy for the "categorical imperative", a doctrine through which every individual choice has to be made with the consideration of the decider that it ought to be a universally held maxim, took place in the broader context of his metaphysical views. In Kant's writings, defiance of higher principles was not only wrong in a practical ...
A]ll [transcendental] schemata connect the categories with time; the reason for this is that time is the only form of intuition that applies to any intuition whatsoever, even to the inner intuition we have of ourselves, whereas space applies merely to all outer intuitions.” (Immanuel Kant, Critique of Judgment, translated by Werner S. Pluhar ...
Immanuel Kant [a] (born Emanuel Kant; 22 April 1724 – 12 February 1804) was a German philosopher and one of the central Enlightenment thinkers. Born in Königsberg, Kant's comprehensive and systematic works in epistemology, metaphysics, ethics, and aesthetics have made him one of the most influential and controversial figures in modern Western philosophy.
Transcendental imagination is described in the first edition of the Critique of Pure Reason but Kant omits it from the second edition of 1787. [ 15 ] It is because he takes into account the role of people's cognitive faculties in structuring the known and knowable world that in the second preface to the Critique of Pure Reason Kant compares his ...
In philosophy, transcendental apperception is a term employed by Immanuel Kant and subsequent Kantian philosophers to designate that which makes experience possible. [1] The term can also be used to refer to the junction at which the self and the world come together. [2]
In one such family, Beck calls our attention to philosophers who utilized an appeal to mankind's scientific and philosophical endeavors in order to impose various limits upon the scope, validity and content of religious beliefs. Beck included the works of Baruch Spinoza, David Hume and Immanuel Kant within this family. In Beck's view, Kantian ...
The central concept of Kant's analysis of the judgment of beauty is what he called the ″free play″ between the cognitive powers of imagination and understanding. [2] We call an object beautiful, because its form fits our cognitive powers and enables such a ″free play″ (§22) the experience of which is pleasurable to us.
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