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The "memorial" survives and was translated into Scots for the treasurer's accounts. The gown was made of 11 French measure ells of "violat velvote" or vellours viollet. Her white satin sleeves and skirt front, the grand manches and davant, were decorated with narrow gold braids, petite natte d'or. [133]
Spanish fashion: Elizabeth of Valois, Queen of Spain, wears a black gown with floor-length sleeves lined in white, with the cone-shaped skirts created by the Spanish farthingale, 1565. Elizabeth I wears padded shoulder rolls and an embroidered partlet and sleeves. Her low-necked chemise is just visible above the arched bodice, 1572.
The gown fastened in front early, sometimes lacing over the kirtle or a stomacher, and the skirt might be slit in front or the train tucked up in back to display the skirt of the kirtle. As a fitted style emerged under Spanish influence, the gown was made as a separate bodice and skirt; this bodice usually fastened at the side or the side-back ...
The silhouette changed once again as the Victorian era drew to a close. The shape was essentially an inverted triangle, with a wide-brimmed hat on top, a full upper body with puffed sleeves, no bustle, and a skirt that narrowed at the ankles [11] (the hobble skirt was a fad shortly after the end of the Victorian era). The enormous wide-brimmed ...
Farthingale sleeves for Catherine Fenton Boyle cost 4 shillings and 4 pence in October 1604 from Robert Dobson, a London tailor. [41] In 1605, Catherine Tollemache wrote to her London tailor, Roger Jones, about farthingale sleeves covered with satin, and he suggested another style of sleeve now in fashion would be "fytter" for her new gown. [42]
From Queen Elizabeth's first formal dresses as a child, to her 70's and 80's gowns, to the coats and hats of her later years, we've rounded up the best of the late British monarch's style. See the ...
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