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The founder, Jim Kelly, began the business with $1,000 and his interest in architectural salvage. When business was slow, Kelly would restore vintage light fixtures to working order. [2] As demand for the fixtures grew, Kelly began manufacturing reproduction vintage lighting in a Portland factory and selling it nationally through a mail-order ...
Edward F. Caldwell, a portrait painter originally from Waterville, New York, became part of an active community of designers in New York City during the early 1880s.By the end of that decade and into the 1890s, Caldwell worked for, and later became chief designer and vice president of, the Archer & Pancoast Manufacturing Company of New York, top designers of gas lighting fixtures.
In the 1980s, after watching a salvage operation, Bob Rosenzweig started the reproduction and selling of his faux-antique bulbs. [9] These vintage-style light bulb reproductions were sold mostly to collectors and prop houses, and continued until the turn of the 21st century when new regulations banned low-efficiency lighting in many countries.
The andon became popular in the Edo period (1603–1867). [1] Early on, the andon was handheld; it could also be placed on a stand or hung on a wall. [3] The okiandon was most common indoors. Many had a vertical box shape with an inner stand for the light. Some had a drawer on the bottom to facilitate refilling and lighting. A handle on top ...
In the beginning, the American House of Heydenryk was a franchise of the Dutch firm, making period reproductions for artists, galleries and museums. Heydenryk Jr. would eventually branch out from traditional frame making and design his own mouldings and finishes for contemporary artists in Manhattan under the name The House of Heydenryk Jr. Inc.
Staicer said of fixtures that seem intentionally placed to light a desk or work table of some sort. “So, we’ve got this set up as an architect’s studio with a mid-19th-century drawing table ...