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Each story has glass art design; the design on the first story mirrors nearby wetlands, containing elements of water, cat-tails, bullrushes, grasses, and a scene with a dragonfly and a snowy egret. [42] [43] The second and third story windows have cherry tree elements with blossoms, fruit, and leaves meant to represent local orchards. [42]
One example is the stained glass window of the doorway of the Hôtel van Eetvelde in Brussels (1895). In France, Art Nouveau stained glass was used by Alphonse Mucha to decorate the interior of the jewelry shop of Georges Fouquet. The windows were made by Léon Fargues. The decor is now found in the Carnavalet Museum.
The stained glass of Islam is generally non-pictorial and of purely geometric design, but may contain both floral motifs and text. Stained glass creation had flourished in Persia (now Iran) during the Safavid dynasty (1501–1736 A.D.), and Zand dynasty (1751–1794 A.D.). [27]
Thomas Augustin "Gus" O'Shaughnessy (1870-1956) was an Irish American Celtic Revival designer from Missouri who worked primarily in stained glass.He was employed as a Chicago Daily News staff artist and had earlier studied under stained glass master Louis Millet at the Art Institute of Chicago, then traveled to Europe to perfect his art.
Dragonfly Lamp, c. 1900 Brooklyn Museum A Tiffany Studios Daffodil leaded glass table lamp (shade shown), designed by Clara Driscoll. While doing research for a book on Tiffany at the Queens Historical Society, Gray found the historically valuable letters written by Driscoll to her mother and sisters during the time she was employed at Tiffany.
A Tiffany lamp is a type of lamp made of glass and shade designed by Louis Comfort Tiffany or artisans, mostly women, and made (in originals) in his design studio. The glass in the lampshades is put together with the copper-foil technique instead of leaded, the classic technique for stained-glass windows.
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