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Original file (1,239 × 1,752 pixels, file size: 417 KB, MIME type: application/pdf, 4 pages) This is a file from the Wikimedia Commons . Information from its description page there is shown below.
Size of this JPG preview of this PDF file: 455 × ... Bagatelle No. 25 in A minor (WoO 59 and Bia 515) for solo piano, Für Elise ... sheet music. media type.
Kopitz presents the finding by the German organ scholar Johannes Quack that the letters that spell Elise can be decoded as the first three notes of the piece. Because an E ♭ is called an Es in German and is pronounced as "S", that makes E –(L)–(I)– S – E : E –(L)–(I)– E ♭ – E , which by enharmonic equivalents sounds the same ...
[[Category:Solo piano works by composer templates]] to the <includeonly> section at the bottom of that page. Otherwise, add <noinclude>[[Category:Solo piano works by composer templates]]</noinclude> to the end of the template code, making sure it starts on the same line as the code's last character.
"Für Elise" (German: "For Elise") is the popular name of the "Bagatelle in A minor", WoO 59, a work for solo piano written by Ludwig van Beethoven in about 1810. The work is widely familiar and has been frequently adapted for use in works of popular culture. This article is a listing of such uses.
[1] 15 sonatas — numbering of the piano sonatas according to Franz Schubert's Werke: Kritisch durchgesehene Gesammtausgabe – Serie 10: Sonaten für Pianoforte (Leipzig: Breitkopf & Härtel, 1888), the first publication that claimed to print the complete set of Schubert's piano sonatas. The Deutsch catalogue was yet to be created, so there ...
Franz Liszt, after an 1856 painting by Wilhelm von Kaulbach. This article lists the various treatments given by Franz Liszt to the works of almost 100 other composers.. These treatments included transcriptions for other instruments (predominantly solo piano), arrangements, orchestrations, fantaisies, reminiscences, paraphrases, illustrations, variations, and editions.
Schumann's 1841 Fantasia for piano and orchestra, in form similar to Weber's Konzertstück, was later rewritten and expanded with two further movements into his Piano Concerto Op. 54. [4] When the soloist is a vocalist , the piece rather belongs to the concert aria genre.
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