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The uchiginu: a scarlet beaten silk robe worn as a stiffener and support for the outer robes. The uwagi: a patterned and decorated silk robe, typically with woven decoration, both shorter and narrower than the uchiginu. The colour and fabric used for the uwagi indicate the rank of the wearer. The karaginu: a waist-length Chinese style jacket.
The white robe (白衣, hakue, byakue, shiraginu) worn on the upper body is a white kosode, with sleeves similar in length to those of a tomesode. [3] Originally, kosode sleeves were underwear to be worn under daily clothing, but gradually became acceptable outerwear between the end of the Heian period and the Kamakura period [4] The red collar sometimes seen around the neck is a decorative ...
The artistic depictions of the Nativity or birth of Jesus, celebrated at Christmas, are based on the narratives in the Bible, in the Gospels of Matthew and Luke, and further elaborated by written, oral and artistic tradition. Christian art includes a great many representations of the Virgin Mary and the Christ Child.
Originally, these robes were made of cast-off or donated material because monks lived ascetic lifestyles. [1] The dyes were used to distinguish their common clothing from other people. [2] In Sanskrit and Pali, these robes are also given the more general term cīvara, which references the robes without regard to color.
' finishing-touch robe ') – A type of ceremonial overcoat with a long white hem worn by a Miko in certain Shinto ceremonies; similar to a Kannushi's Jōe over-robes. Chinja (鎮社, lit. ' garrison shrine ') – The tutelary kami or tutelary shrine of a certain area or Buddhist temple; see also chinjusha. Chinjusha* (鎮守社, lit.
Complete descriptions of the styles of dress among the people of the Bible is impossible because the material at hand is insufficient. [1] Assyrian and Egyptian artists portrayed what is believed to be the clothing of the time, but there are few depictions of Israelite garb. One of the few available sources on Israelite clothing is the Bible. [2]
From the middle of the 4th century, after Christianity was legalized by the Edict of Milan in 313, and gained Imperial favour, there was a new range of images of Christ the King, [47] using either of the two physical types described above, but adopting the costume and often the poses of Imperial iconography.
Pilgrims view one of the claimed Seamless Robes (Trier, April 2012) The collarless neck of the seamless robe of Jesus. The Seamless Robe of Jesus (also known as the Holy Robe, Holy Tunic, Holy Coat, Honorable Robe, and Chiton of the Lord) is the robe said to have been worn by Jesus during or shortly before his crucifixion. Competing traditions ...