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The Jazz Chorus is one of the most famous and successful combo amplifiers from its period and its earliest users included Albert King, Andy Summers (), Chuck Hammer (), Larry Coryell, Robert Smith (of The Cure, although he used the rarer 160 Watt JC-160 with 4 x 10" speakers), Billy Duffy (The Cult, Theatre of Hate), Roger Hodgson of Supertramp, Joe Strummer, John Sebastian of The Lovin ...
It is a division of the Roland Corporation, a Japanese manufacturer that specializes in musical equipment and accessories. For many years Boss has manufactured a wide range of products related to effects processing for guitars, including "compact" and "twin" effects pedals, multi-effect pedals, electronic tuners and pedal boards.
Boss is a brand used for products geared toward guitar players, and is used for guitar pedals, effects units, rhythm and accompaniment machines, guitar amplifiers, and portable recording equipment. Edirol was a line of professional video-editing and video-presentation systems, as well as portable digital audio recorders .
Boss CE-1 – Released in 1976, it was one of the first chorus effect pedals commercially available, based on the same circuit from the Roland Jazz Chorus amplifier. It was originally conceived for keyboard and synthesizer players, but guitarists have utilized it as well, like John Frusciante (Red Hot Chili Peppers).
The Roland Space Echo is a line of tape delay units introduced by Roland Corporation in 1974. Whereas prior tape delay effects used tape reels, the Space Echo uses a free-running tape transport system. This reduces tape wear, noise, and wow and flutter, and made the units more reliable and easy to transport.
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Scholz Research & Development, Inc. was the name of the company founded by musician and engineer Tom Scholz to design and manufacture music technology products. Scholz is an MIT-trained engineer who developed many of his skills as a product design engineer working on audio-production equipment at Polaroid in the early 1970s.
If, instead of simply playing back a recorded loop, something is done to progressively alter the recorded material between cycles, such as re-recording the sound before it passes the playback head or adding new material to the loop, then a process of change will occur in the content, quality and complexity of the material. [1]
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