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These faces, as well as the component faces, were rated for attractiveness by 300 judges on a 5-point Likert scale (1 = very unattractive, 5 = very attractive). The 32-composite face was the most visually attractive of all the faces. [1] Many studies, using different averaging techniques, including the use of line drawings [15] and face ...
Women judge the faces of men who are heterozygous at all three MHC loci to be more attractive than the faces of men who are homozygous at one or more of these loci. Additionally, a second experiment with genotyped women raters, found these preferences were independent of the degree of MHC similarity between the men and the female rater.
The physical attractiveness stereotype was first formally observed in a study done by Karen Dion, Ellen Berscheid, and Elaine Walster in 1972. [1] The goal of this study was to determine whether physical attractiveness affected how individuals were perceived, specifically whether they were perceived to have more socially desirable personality traits and quality of life.
The study presented female participants with 40 male faces of “low to high attractiveness” in various states: Partially covered by a cloth mask, a surgical mask, a book and not covered at all.
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Facial symmetry has been found to increase ratings of attractiveness in human faces. [1] [3] More symmetrical faces are perceived as more attractive in both males and females, although facial symmetry plays a larger role in judgments of attractiveness concerning female faces. [17]
Skin color contrast has been identified as a feminine beauty standard observed across multiple cultures. [7] Women tend to have darker eyes and lips than men, especially relative to the rest of their facial features, and this attribute has been associated with female attractiveness and femininity, [7] yet it also decreases male attractiveness according to one study. [8]
Because masculine beauty standards are subjective, they change significantly based on location. A professor of anthropology at the University of Edinburgh, Alexander Edmonds, states that in Western Europe and other colonial societies (Australia, and North and South America), the legacies of slavery and colonialism have resulted in images of beautiful men being "very white."