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What's done cannot be undone. – To bed, to bed, to bed!" [3] Shakespeare did not coin the phrase; it may actually be a derivative of the early 14th-century French proverb: Mez quant ja est la chose fecte, ne peut pas bien estre desfecte, which is translated into English as "But when a thing is already done, it cannot be undone".
"Tomorrow and tomorrow and tomorrow" is the beginning of the second sentence of one of the most famous soliloquies in William Shakespeare's tragedy Macbeth. It takes place in the beginning of the fifth scene of Act 5, during the time when the Scottish troops, led by Malcolm and Macduff , are approaching Macbeth 's castle to besiege it.
After Macbeth slays the young Siward, Macduff charges into the main castle and confronts Macbeth. Although Macbeth believes that he cannot be killed by any man born of a woman, he soon learns that Macduff was "from his mother's womb / Untimely ripped" (Act V Scene 8 lines 2493/2494) — meaning that Macduff was born by caesarean section. The ...
The killings of Banquo and Fleance were important to Macbeth and, while the banquet that night was scheduled to start at 7pm, Macbeth did not appear until midnight. Paton believes the Third Murderer extinguished a light to avoid recognition, and later, Macbeth tells Banquo's ghost something that sounds like "In yon black struggle you could ...
Actors also avoid even quoting the lines from Macbeth before performances, particularly the Witches' incantations. Outside a theatre and after a performance, the play can be spoken of openly. If an actor speaks the word "Macbeth", or quotes the play, in a theatre other than in performance, they must perform a ritual to remove the curse.
Lord Macbeth, the Thane of Glamis and quickly the Thane of Cawdor, is the title character and main protagonist in William Shakespeare's Macbeth (c. 1603–1607). The character is loosely based on the historical king Macbeth of Scotland and is derived largely from the account in Holinshed's Chronicles (1577), a compilation of British history.
The murderer cries as he stabs the boy, "What, you egg! ... Young fry of treachery!" [1] This hints at the reason Macbeth is so eager to have him killed.Macbeth, seeing that, as the Three Witches foretold, he is destined to be king with no offspring to inherit his throne, is determined to kill the offspring of others, including Fleance and Macduff's son.
"On the Knocking at the Gate in Macbeth" is an essay in Shakespearean criticism by the English author Thomas De Quincey, first published in the October 1823 edition of The London Magazine. It is No. II in his ongoing series "Notes from the Pocket-Book of a Late Opium Eater" which are signed, "X.Y.Z.". [ 1 ]