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Ottoman miniature (Turkish: Osmanlı minyatürü) is a style of illustration found in Ottoman manuscripts, often depicting portraits or historic events.Its unique style was developed from multiple cultural influences, such as the Persian Miniature art, as well as Byzantine and Mongol art.
Contemporary Turkish miniature refers to Turkish miniature art in Turkey from the mid-20th century to the present day. Contemporary Turkish miniature art is exactly the same art form as 16th-century Ottoman miniature; however, it is no longer just a book art and had developed into a fully standalone form of art with miniature artists depicting anything in any size they want while still using ...
In the 18th and 19th centuries Turkish art and architecture became more heavily influenced by contemporary European styles, leading to over-elaborated and fussy detail in decoration. [15] European-style painting was slow to be adopted, with Osman Hamdi Bey (1842–1910) for long a somewhat solitary figure. He was a member of the Ottoman ...
Levni's Signature on a miniature painting of a tulip (1720). Levnî Abdulcelil Çelebi (1680s–1732) early 18th century Ottoman court painter (attained the position of court painter during the reign of Mustafa II and Ahmed III). He was a prominent Ottoman miniaturist during the Tulip Period, well-regarded for his traditional yet innovative style.
Nusret Çolpan (October 1, 1952 – May 31, 2008) was a Turkish painter, architect and miniaturist, renowned for his paintings in Ottoman miniature style depicting cities around the world, particularly Istanbul. He painted over 300 miniatures in his 30-year career.
Manuscript illustration, such as the painting of the Ottoman miniature (taswir), [4] was a distinct process from manuscript illumination, and each process was thus carried out by an artist specially trained in that particular craft. [5] Illumination design varies depending on the associated text.
The dominant tradition of miniature painting in the late Middle Ages was that of Persia, which had a number of centres, but all usually dependent on one key patron, whether the shah himself, or a figure either governing a part of the country from a centre such as Herat, where Baysunghur was an important patron in the early 15th century, or the ruler of a further part of the Persianate world in ...
The miniatures were influenced by Chinese art, both in their sinuous lines and fluid rhythms, and in the figure's dress in that country's traditional dress. The works are of historical interest because of their depictions of everyday life of the faded world of historic Central Asia; with descriptions of tools, costumes, rituals, headdress, and ...
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