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The use of the word "generative" in the discussion of art has developed over time. The use of "Artificial DNA" defines a generative approach to art focused on the construction of a system able to generate unpredictable events, all with a recognizable common character.
Edmond de Belamy, sometimes referred to as Portrait of Edmond de Belamy, is a generative adversarial network (GAN) portrait painting constructed by Paris-based arts collective Obvious in 2018 from WikiArt 's artwork database. [1]
Soddu was born on 2 April 1945 in Como, Italy in a Serramannesi family in Sardinia. [2] [4] [3] > He attended primary school in Cagliari and secondary school at Leo XIII Institute in Milan before graduating with a Master's degree in architecture from Sapienza University of Rome in 1970. [2]
In 2009 was the exhibition Manuel Felguérez, Invención Constructiva at the Palacio de Bellas Artes in Mexico City which was inaugurated by President Felipe Calderón. [ 15 ] [ 17 ] For the Bicentennial of Mexico's Independence , Felguérez's mural "Ecuación en Acero" (Equation in Steel) was inaugurated by the same president at the ...
The Palacio de Bellas Artes (Palace of Fine Arts) is dedicated exclusively to housing Cuban art collections. Spanning the 17th and 19th centuries, it has rooms devoted to landscape, religious subjects and the Costumbrismo narrative scenes of Cuban life.
The Instituto Cubano del Arte e Industria Cinematográficos (ICAIC, Cuban Institute of Cinematographic Art and Industry) was established by the Cuban government in March 1959 after the Cuban Revolution. Its prominent members are Sara Gómez, Tomás Gutiérrez Alea, Julio García Espinosa, Alfredo Guevara and Santiago Álvarez. [1]
Textures, surfaces, lighting effects, and shadows appear clearer and more distinct than the reference photo or even the actual subject itself. [12] Hyperrealism has its roots in the philosophy of Jean Baudrillard, "the simulation of something which never really existed."
Renacimiento by Gustavo Arias Murueta.. Generación de la Ruptura (Breakaway Generation) is the name given by art critic Teresa del Conde [1] to the generation of Mexican artists against the established Mexican School of Painting, more commonly called Mexican muralism post World War II.