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Works by or about Albrecht Dürer at the Internet Archive; Works by Albrecht Dürer at Project Gutenberg; The Early Duerer Research Project of the Germanisches Nationalmuseum Nuremberg, with a comprehensive bibliography since 1971 (German). "Albrecht Dürer (1471–1528)". In Heilbrunn Timeline of Art History. New York: Metropolitan Museum of Art
The work is one of 16 woodcuts in Dürer's Life of the Virgin series, which he executed between 1501 and 1511. Joachim and Anne Meeting at the Golden Gate is the only work in the series to include a date. [1] Throughout the series, the Virgin is displayed as an intermediary between the divine and the earth, yet shown with a range of human ...
The women are positioned in a small interior space which contains a window and can be entered or exited from two sides. The small devil in the left hand recess, who is intended to represent evil, as mammalian anatomy including hind legs, and holds a vaguely described object in his claw that appears to consist of sticks and a piece of string, [10] perhaps comprising a contemporary device for ...
The Four Apostles by is a Renaissance style diptych painting created by Albrecht Dürer in 1526. [1] This work, which includes two oil-on-panel paintings, depicts four prominent figures of Christianity: Saints John, Peter, Mark, and Paul.
As part of women's role in music education, women wrote hymns and children's music. Only around 70 works by women can be found in all American secular music in print before 1825. [7] In the mid-19th century, female songwriters emerged, including Faustina Hasse Hodges, Susan McFarland Parkhurst, Augusta Browne and Marion Dix Sullivan. By 1900 ...
The work was commissioned by the rich merchant Matthäus Landauer of Nuremberg for a chapel dedicated to the Holy Trinity and All the Saints in the Zwölfbrüderhaus ('House of Twelve Brothers'), which he had founded with Erasmus Schiltkrot in 1501. The house was a charity institution which could house up to twelve artisans who were unable to ...
Albrecht Dürer". [7] Dürer was born in May 1471, and he himself did not title the work--nor did he title most of his works; given that it was completed in 1484, it is almost equally likely Dürer had created it when he was 12 years old, even though the self-portrait is sometimes known by the invented title "at the age of 13" [3] [8]
The Meisterstiche ("master prints") by Dürer are three of his most famous engravings. They are Knight, Death and the Devil (1513), Melencolia I (1514) and St. Jerome in His Study (1514). These three large prints (about 7 by 10 inches (18 by 25 cm)) are often grouped together because of their perceived quality and unity of meaning, although ...