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Works by or about Albrecht Dürer at the Internet Archive; Works by Albrecht Dürer at Project Gutenberg; The Early Duerer Research Project of the Germanisches Nationalmuseum Nuremberg, with a comprehensive bibliography since 1971 (German). "Albrecht Dürer (1471–1528)". In Heilbrunn Timeline of Art History. New York: Metropolitan Museum of Art
The work is one of 16 woodcuts in Dürer's Life of the Virgin series, which he executed between 1501 and 1511. Joachim and Anne Meeting at the Golden Gate is the only work in the series to include a date. [1] Throughout the series, the Virgin is displayed as an intermediary between the divine and the earth, yet shown with a range of human ...
As part of women's role in music education, women wrote hymns and children's music. Only around 70 works by women can be found in all American secular music in print before 1825. [7] In the mid-19th century, female songwriters emerged, including Faustina Hasse Hodges, Susan McFarland Parkhurst, Augusta Browne and Marion Dix Sullivan. By 1900 ...
It was begun by Albrecht Dürer just after 1500 and only completed 1510-1511. [1] One of the best surviving sets is now in the Staatliche Graphische Sammlung München. It was begun whilst he was still halfway through work on his Great Passion series. Only sixteen of the plates were complete by 1504, with final completion further delayed by the ...
The women are positioned in a small interior space which contains a window and can be entered or exited from two sides. The small devil in the left hand recess, who is intended to represent evil, as mammalian anatomy including hind legs, and holds a vaguely described object in his claw that appears to consist of sticks and a piece of string, [10] perhaps comprising a contemporary device for ...
The Four Apostles by is a Renaissance style diptych painting created by Albrecht Dürer in 1526. [1] This work, which includes two oil-on-panel paintings, depicts four prominent figures of Christianity: Saints John, Peter, Mark, and Paul.
Melencolia I, Albrecht Dürer, engraving, 1514. The art historian Christa Grössinger described the drawing as the "most affecting of all" of Dürer's portraits. [9] David Price wrote of its "rough depiction of her flesh emaciated by old age", and "existential piety in the cast of Barbara Dürer's right eye, which, almost unnaturally, directs her vision heavenward."
Visitation, Albrecht Dürer, 1503. Visitation is a 1503 woodcut by the German Renaissance artist Albrecht Dürer, from his series on the Life of the Virgin.It depicts the Visitation, an episode in the Gospel of Luke, Luke 1:39–56 when Mary, heavily pregnant, travels to see her much older cousin Elisabeth, who is now also late with child.