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The slow 18th variation is by far the best known, and it is often included on classical music compilations without the rest of the work. It is based on an inversion of the melody of Paganini's theme. In other words, the A minor Paganini theme is literally played "upside down" in D ♭ major, with a few other changes. Rachmaninoff himself ...
Rhapsody on a Theme of Paganini, Op. 43 Philadelphia Orchestra; Leopold Stokowski, conductor; December 24, 1934 RCA Sergei Rachmaninoff Serenade in B-flat, Op. 3, No. 5 (1892 version) November 4, 1922 RCA Sergei Rachmaninoff Serenade in B-flat, Op. 3, No. 5 (1892 version) January 3, 1936 RCA Sergei Rachmaninoff "Daisies", Op. 38, No. 3 March 18 ...
Paganini Variations, Book I, Book II: Scores at the International Music Score Library Project; Beggerow, Alan (January 23, 2014). "Brahms - Studies For Pianoforte, Variations On A Theme Of Paganini Opus 35". Musical Musings Blog. Hansen, Kelly Dean (January 9, 2009). "Opus 35 Listening Guide - Variations on a theme of Paganini (Studies for Piano)".
Lowell Liebermann – Rhapsody on a Theme of Paganini, for piano and orchestra (2001) JJ Lin – Variation 25: Clash of The Souls , a song from album Lost N Found (2011) Franz Liszt – the sixth and last of his Études d'exécution transcendante d'après Paganini for solo piano, S.140 (1838) – revised and republished in 1851 as Six Grandes ...
Eugène Ysaÿe – Paganini Variations for violin and piano; The Caprice No. 24 in A minor, Op. 1, (Tema con variazioni) has been the basis of works by many other composers. Notable examples include Brahms's Variations on a Theme of Paganini and Rachmaninoff's Rhapsody on a Theme of Paganini.
The Variations retain most of Paganini's original material for solo violin. [1] As Paganini's original composition, it is structured as a theme with variations, presenting the theme, a total of twelve variations, and a final coda. The additional twelfth variation before the coda is Lutosławski's only structural alteration in the piece.
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