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Manuscript painting of a yogin in meditation, showing the chakras and the three main channels (nadis) of the subtle body. A small serpent, symbolising the Kundalini, climbs up the central sushumna channel; she will pierce each chakra as she climbs. When she reaches the head she will unite with Shiva; the yogin will then be liberated in his body.
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To enter the pose from sitting, the knees are bent, and the body's weight is shifted back until the soles of the feet lift off the ground. In the pose, the body is balanced on the sitting bones, not leaning right back on to the tailbone.
A single asana is listed for each main pose, whether or not there are variations. Thus for Sirsasana (Yoga headstand), only one pose is illustrated, although the pose can be varied by moving the legs apart sideways or front-and-back, by lowering one leg to the floor, by folding the legs into lotus posture, by turning the hips to one side, by placing the hands differently on the ground, and so on.
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Trikonasana is the last of the 12, whereas in other schools it is one of the first and used to loosen the hips in preparation for other poses. [138] Eka Pada Bakasana (One-legged Crane), an asana in Ashtanga Vinyasa Yoga's Advanced series. In Ashtanga Vinyasa Yoga, poses are executed differently from Iyengar Yoga. "Vinyasa" means flowing, and ...
In the most common form of Anjali mudra, the hands are held at the heart chakra with thumbs resting lightly against the sternum. [8] The gesture may also be performed at the Ajna or brow chakra with thumb tips resting against the "third eye" or at the crown chakra (above the head). In some yoga postures, the hands are placed in Anjali mudra ...