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One is the first solo album, and third album overall, by jazz keyboardist Bob James.It was an important album in the early smooth jazz genre and is famous for its end track, "Nautilus", which became important to hip hop as one of the most sampled tracks in American music.
Bold Conceptions is the debut album by Bob James. The album was recorded between August 13–15, 1962. The album was recorded between August 13–15, 1962. The cover features a drawing of Bob James at the piano.
The performances were documented on the album All Around the Town (Tappan Zee, 1980), with a cover of James at the wheel of a taxi. James turned from smooth jazz to classical music to record Rameau (1984), his interpretations of Baroque-period composer Jean-Philippe Rameau . [ 10 ]
The album spent 63 weeks on the Billboard charts, peaking at No. 16 on the R&B albums [2] chart and No. 50 on the Top Pop Albums chart. [3] In 1987, the album won the Grammy Award for Best Jazz Fusion Performance, Vocal or Instrumental [4] and the song "Since I Fell for You" earned a nomination for Al Jarreau in the category Best R&B Vocal Performance, Male.
CTI Records (Creed Taylor Incorporated) is a jazz record label founded in 1967 by Creed Taylor.CTI was a subsidiary of A&M before becoming independent in 1970. Its first album was A Day in the Life by guitarist Wes Montgomery in 1967.
Lucky Seven is the seventh album by jazz keyboardist Bob James, released in 1979. ... Buddy Endress – cover photography; David Gahr – inside photography;
Touchdown is the sixth album by Bob James, released in 1978 on his Tappan Zee label thru Columbia.. The album's title is a reference to this being James' sixth solo album (a touchdown being worth six points in American football), a pattern also followed by his previous album Heads (featuring a five cent coin on its cover) and next album Lucky Seven.
The Sun-Sentinel stated that "Bob James' effort to shed his image as the king of Muzak jazz partially succeeds on his latest offering." [4] The Washington Post deemed the album a "made-for-background batch of West Coast fake funk and fusion." [5] On AllMusic, Jason Elias wrote: "Obsession displays the often chilly sounds of period synthesizers.
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