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Founded in 1989, [1] by members of Alexander Calder's family in collaboration with the Centre national des arts plastiques (CNAP), the Atelier Calder residency program offers artists the residencies to create new work and projects in Calder's studio and home in Saché, France.
Alexander "Sandy" Calder (/ ˈ k ɔː l d ər /; July 22, 1898 – November 11, 1976) was an American sculptor known both for his innovative mobiles (kinetic sculptures powered by motors or air currents) that embrace chance in their aesthetic, his static "stabiles", and his monumental public sculptures. [1]
Jeune fille et sa suite (Young Woman and Her Suitors), 1970, Detroit Institute of Arts [3] The X and Its Tails, 1967, College of Creative Studies, Detroit [3]; Deux Disques (Two Discs), 1965, Frederik Meijer Gardens & Sculpture Park (Long-term loan from Smithsonian Institution), Grand Rapids
On November 10, 1976, Calder brought the Mountains and Clouds maquette—his 20-inch (510 mm) sheet-metal model—to Washington, D.C., to present it to the Architect of the Capitol and finalize the placement of the piece. After making minor adjustments to two of the clouds, he expressed satisfaction with the maquette as positioned in a model of ...
The most well-known modern example is a sculpture designed by the American artist Alexander Calder, commissioned by the Spanish Republican government for the 1937 World Exhibition in Paris. The artwork is a memorial to the siege of Almadén by General Franco 's troops; at the time, the region supplied 60 percent of the world's mercury.
A CGI animation of the MoMA Snow Flurry. Year: 1948 Snow Flurry, I measures 238.7 cm × 208.8 cm and was gifted to the Museum of Modern Art (MoMA) by Calder in 1966. It was displayed at the Tate Modern in 2015, where curator Ann Coxon said that, based on the sculpture, "a sense of the natural world has also been important: [they were] looking at opening up some of the windows, getting a sense ...
Calder’s wire sculptures of this period tended to be portraits, caricatures, and stylized representations of people and animals. While originally believing the medium of wire sculpture to be merely clever and amusing, as his work developed, he began to state that wire sculpture had an important place in the history of art and remarked on the ...
La Grande Vitesse, a public sculpture by American artist Alexander Calder, is located on the large concrete plaza surrounding City Hall and the Kent County Building in Grand Rapids, Michigan, United States. Popularly referred to as simply "the Calder", since its installation in 1969 it has come to be a symbol of Grand Rapids, and an abstraction ...