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In the spring of 1865, Hall wrote "Jesus Paid It All" "on the fly-leaf of the New Lute of Zion hymnal, in the choir of the Methodist Episcopal Church, Baltimore." [3] [4] [5] Hall then shared the lyrics with her pastor who connected her with the church organist, John Grape (1835-1915), who had recently shared a new tune he had written.
Siionin virret ("Hymns of Zion") is a hymnbook of the Finnish Awakening religious revival movement (Herännäisyys). The hymnal is used in the traditional conventicle 'seurat' which is an informal religious gathering taking often place in homes. Hymns of Zion are also sung in the religious summer festival 'Herättäjäjuhlat' of the Awakening ...
The Heart's Offering with Songs New and Old for The Lord's Memorial (1915) [551] Revival Gems: a Small Book with a Big Mission (1921) Living Hymns: the small hymnal: a book of worship and praise for the developing life (1923) [552] The New Baptist Hymnal (1926) [553] Junior Hymns and Songs: for use in Church School (1927) [554]
"Glorious Things of Thee Are Spoken", also called "Zion, or the City of God", [1] is an 18th-century English hymn written by John Newton, who also wrote the hymn "Amazing Grace". Shape note composer Alexander Johnson set it to his tune "Jefferson" in 1818, [ 2 ] and as such it has remained in shape note collections such as the Sacred Harp ever ...
In 1948, a new hymnbook that replaced both the Latter-day Saint Hymns (1927) and the Deseret Sunday School Songs was published under the title Hymns: The Church of Jesus Christ of Latter-day Saints and served as the official hymnbook of The Church of Jesus Christ of Latter-day Saints from 1948 to 1985. The 1948 edition included 387 hymns.
The Zion Harmonizers made their first LP in 1974 at Jazz City Studio in New Orleans for Flying Fish Records. The album, consisting of traditional spirituals, featured Sherman Washington (lead), Lewis Johnson and Howard Bowie (tenors), John Hawkins (bass), Henry Warrick (baritone and guitar), with Allen Butler singing lead on two cuts. [ 25 ]
According to Lü: "The Holy Spirit touched me the moment I consecrated myself to God. That's when I sang my first hymn." [10] Shy as she was, she only sang the song to a girl in her home village. The girl relayed the hymn to her parents, Christians who attributed Lü's sudden musical abilities to the work of the Holy Spirit. By the time that ...
It has inspired songs such as Rob Paravonian's "Pachelbel Rant" and the Axis of Awesome's "Four Chords", which comment on the number of popular songs borrowing the same tune or harmonic structure. [1] [2] "Four Chords" does not directly focus on the chords from Pachelbel's Canon, instead focusing on the I–V–vi–IV progression. [3]