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The guitar solo on Pearl Jam's "Alive" was based on Ace Frehley's guitar solo on the Kiss song "She", which was in turn based on Robby Krieger's solo in "Five to One". [15] In 2001, producer Kanye West sampled the song to form the beat of Jay-Z's diss song of Nas and Mobb Deep called "Takeover", also used in the Lordz of Brooklyn song "White ...
Live in Boston is a triple CD live album by American rock band the Doors released in 2007. It was recorded at the Boston Arena on April 10, 1970, during the band's Roadhouse Blues Tour . The band performed two shows, one starting at 7 pm and a second scheduled for 10 but not actually starting until past midnight.
The song began as an embryo which Zowie produced in his studio [1] – he found some acapellas on his PC from a Nervous Records vinyl containing part of the vocal [2] – and was written with the intent of being a feel-good track based on the lyrics. However, the vocalist initially sang about being trapped in the house during the weekend.
Music writer Stephen Thomas Erlewine gave The Very Best of the Doors four and a half out of five stars in an album review for AllMusic.He outlines the differences between the similarly named releases and advises "if you're looking for an introduction or just the hits, take either of the 2001 or 2007 single discs; if you're looking for most of the best, pick the double-disc set, either with or ...
The use of the Doors song "The End", from their debut album, in the popular Vietnam War film, Apocalypse Now in 1979 and the release of the first compilation album in seven years, Greatest Hits, released in the fall of 1980, created a resurgence in the Doors. Due to those two events, an entirely new audience, too young to have known of the band ...
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The Doors: Jim Morrison – vocals; Robby Krieger – guitar; Ray Manzarek – piano and organ; John Densmore – drums; Note: Played on all tracks except tracks 9 & 10 Paul A. Rothchild – producer of all tracks except for tracks 2, 9, 10 & 14; Bruce Botnick – co-producer of the L.A. Woman tracks; engineer for all tracks except tracks 9 & 10
A fun song with plenty of vocal integration, "Breakn' a Sweat" doesn't blow the door off its hinges, but it will keep you dancing until the music stops." A writer from Toronto Stars said, "He's bright enough to use his Doors collaboration, "Breakn' a Sweat", as a mouthpiece for some meta-commentary about the nature of creating electronic music ...