Search results
Results from the WOW.Com Content Network
The painting, executed in undertones of various shades of brown, depicts a scene in the Good Friday trial of Jesus when Christ is presented to the mob as a figure of ridicule by Pontius Pilate with the words "Ecce Homo", translated in the Bible as "Behold the Man", but more appropriately as an accusatory "Look at this man".
Christ Pantocrator mosaic in Byzantine style from the Cefalù Cathedral, Sicily. The most common translation of Pantocrator is "Almighty" or "All-powerful". In this understanding, Pantokrator is a compound word formed from the Greek words πᾶς, pas (GEN παντός pantos), i.e. "all" [4] and κράτος, kratos, i.e. "strength", "might", "power". [5]
Ecce Homo, Caravaggio, 1605. Ecce homo (/ ˈ ɛ k s i ˈ h oʊ m oʊ /, Ecclesiastical Latin: [ˈettʃe ˈomo], Classical Latin: [ˈɛkkɛ ˈhɔmoː]; "behold the man") are the Latin words used by Pontius Pilate in the Vulgate translation of the Gospel of John, when he presents a scourged Jesus, bound and crowned with thorns, to a hostile crowd shortly before his crucifixion (John 19:5).
Most images of Jesus have in common a number of traits which are now almost universally associated with Jesus, although variants are seen. The conventional image of a fully bearded Jesus with long hair emerged around AD 300, but did not become established until the 6th century in Eastern Christianity , and much later in the West.
The New Testament does contain the rudiments of an argument which provides a basis for religious images or icons. Jesus was visible, and orthodox Christian doctrine maintains that Jesus is YHWH incarnate. In the Gospel of John, Jesus stated that because his disciples had seen him, they had seen God the Father (Gospel of John 14:7-9 [20]).
A significantly longer, extended revision of the creed, which contains twenty-five articles and is known as the Articles of Faith and Practice, is used by the Church of Christ (Temple Lot), [5] the Church of Christ (Fettingite), the Church of Christ with the Elijah Message [6] and the Church of Christ with the Elijah Message (Assured Way). [7]
God the Father turning the press and the Lamb of God at the chalice. Prayer book of 1515–1520. The image was first used c. 1108 as a typological prefiguration of the crucifixion of Jesus and appears as a paired subordinate image for a Crucifixion, in a painted ceiling in the "small monastery" ("Klein-Comburg", as opposed to the main one) at Comburg.
The chapter continues a discourse commenced at Matthew 24:3 where the disciples come to Jesus to speak "privately". [6] The Parable of the Ten Virgins (verses 1-13) and the Parable of the Talents (verses 14-30) are both unique to Matthew, [7] but the Parable of the Talents has a corollary in Luke 19:11-27.