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Each brooch has a name, sometimes as simple as 'Fox' or more descriptive like 'Quarrelsome' the cat. Each design might come in dozens of different colors and patterns. The brooches were made in two periods: vintage (1969 to 1981) and modern (1991 —). Each brooch has a distinctive v-shaped metal clasp inscribed with 'Lea Stein Paris'.
John Hardy jewelry [2] was founded in 1975 by Canadian designer-and-artist John Hardy. He visited Bali in the mid-1970s and the island's jewelry-making traditions raised his interest. [3] He began learning the techniques of the local artisans then developed his first pieces by applying new design concepts to traditional Balinese techniques.
John Donald (6 December 1928 – 21 September 2023) was a British jeweller and designer whose work was strongly identified in the 1960s and 1970s in London. [citation needed] Princess Margaret and the Queen Mother purchased works by John Donald in the 1960s, having been introduced to him by Antony Armstrong-Jones, 1st Earl of Snowdon.
De Patta first began experimenting with jewelry in 1929 when she made her own wedding ring. [8] [9] She was known for her innovative use of visual effects in her jewelry, such as light refraction, image reflection, and magnification, which she achieved through the design of her stones. [10] She called her stones "opticuts". [10]
However, her jewelry was seldom signed before 1950, and it was her brother Joseph Haskell who introduced the first regularly signed Miriam Haskell jewelry. For a very short time during the 1940s, a shop in New England did request all pieces they received be signed by Miriam - this signature being a horseshoe-shaped plaque with Miriam Haskell ...
Notably, Cartier and Kulig teamed up to create "Love Me" branded jewelry. [11] In 2015 the UK-based retailer Topman enlisted Kulig to collaborate on the brand's first collection with an American artist. The eclectic collection, which ranges from $30 to $350, features details of his original artwork in pieces that reflect his signature style. [12]
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