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Plaque commemorating the Savoy Ballroom in Harlem, New York City. The ballroom went out of business in October 1958. [22] Despite efforts to save it by Borough President Hulan Jack, Savoy Ballroom manager and co-owner Charles Buchanan, clubs, and organizations, the Savoy Ballroom was demolished for the construction of the Delano Village housing complex between March and April 1959. [23]
Shortly after arriving in New York City, Dehn stumbled upon the Savoy Ballroom in Harlem, an influential hotspot of African-American social dance.The dancing she found there was unlike anything she had ever seen—all of the energy of jazz she had come to love in Europe, with a characteristically American ease of movement.
Al Minns (1 January 1920 – 24 April 1985), was a prominent American Lindy Hop and jazz dancer.Most famous for his film and stage performances in the 1930s and 1940s with the Harlem-based Whitey's Lindy Hoppers, Minns worked throughout his life to promote the dances that he and his cohorts helped to pioneer at New York's Savoy Ballroom.
Piro got hooked on dance by frequenting the Savoy Ballroom in Harlem in his late teens. He won his moniker at the dance contests that were a big feature of the New York City scene in the 1940s. The "Killer Joe" nickname comes from a supposed ability to wear out one partner after the other on the dance floor.
Whitey's Lindy Hoppers was a professional performing group of exceptional swing dancers that was first organized in the late 1920s by Herbert "Whitey" White in the Savoy Ballroom and disbanded in 1942 after its male members were drafted into World War II.
Iryna Savushkina and Roman Doroshenko perform an elegant dance routine worthy of their shop's namesake, The Fred Astaire Dance Studio in Newtown Township on Wednesday May 1, 2024.
The 2025 "No List" from the travel guide Fodor's highlights 15 places struggling with tourism, including Venice, Barcelona, and Koh Samui.
Mura Ziperovitch Dehn (1905–1987) documented African-American social jazz dancing at the Savoy Ballroom in New York in the 1930s and 1940s, a time that she referred to as the "Golden Age of Jazz." She also worked as a producer and documenter up until her death, and was co-artistic director of Traditional Jazz Dance Theater, along with ...
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