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Modern sustainable artists include artists who are using non-toxic, sustainable materials in their art practices as well as integrating conceptual ideas of sustainability into their work. Washington, DC–based glass sculptors Erwin Timmers [16] and Alison Sigethy incorporate some of the least recycled building materials; structural glass.
Environmental art is a range of artistic practices encompassing both historical approaches to nature in art and more recent ecological and politically motivated types of works. [ 1 ] [ 2 ] Environmental art has evolved away from formal concerns, for example monumental earthworks using earth as a sculptural material , towards a deeper ...
Art made of commodity materials sometimes uses found objects made of plastic. [3] [4] Plastic containers are useful in papier-mâché for building frames. [5] Environmental artists are using salvaged beach plastic to create art as a means of bringing awareness of plastic pollution in Earth's oceans.
Upcycle Art or sometimes known as Recycled Art or Recycl’Art is the transformation of waste or used materials and objects into art pieces. [10] The tradition of reusing found objects (objet trouvé) in mainstream art came of age sporadically through the 20th century, although it has long been a means of production in folk art.
Certain techniques and equipment are used any time an art work needs to be transported. These techniques and equipment include using padding lifts and dollies, moving small, fragile objects on carts instead of carrying by hand; lifting objects from underneath by their sturdiest part; and taking extra time and care when on ladders or stairs. [5]
Where museums cannot completely reduce their use of materials or replace materials with sustainable alternatives, material re-use is an option for extending the useful lifetime of conservation materials. Durable materials used in conservation such as Tyvek or Mylar may be washed and re-used where appropriate. Polyethylene foam may be blended ...
Water causes damage and results from natural occurrences, technological hazards, or mechanical failures. Many cases of water damage can be traced to accidents or neglect. "A great many of the materials that museum objects are made of are highly susceptible to contact with water and can be severely damaged by even brief contact, while others may be exposed to water for longer periods without harm.
By her third year, Okore began experimenting with some unusual materials on canvas, such as leaves, jute fiber, cloth, sticks, shredded photographs, broomsticks, recycled paper, and leather, among others. [28] This enabled her to create unique surface textures that were characterized by buildups with soil, rope, fabric and other found objects.
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