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The Garden of Eden with the Fall of Man or The Earthly Paradise with the Fall of Adam and Eve (ca. 1615) is a painting by Peter Paul Rubens (figures) and Jan Brueghel the Elder (flora and fauna). It is housed in the Mauritshuis art museum in The Hague, Netherlands.
The Expulsion from the Garden of Eden (Italian: Cacciata dei progenitori dall'Eden) is a fresco by the Italian Early Renaissance artist Masaccio. The fresco is a single scene from the cycle painted around 1425 by Masaccio, Masolino and others on the walls of the Brancacci Chapel in the church of Santa Maria del Carmine in Florence .
One of his most famous triptychs is The Garden of Earthly Delights (c. 1495–1505) whose outer panels are intended to bracket the main central panel between the Garden of Eden depicted on the left panel and the Last Judgment depicted on the right panel. It is attributed by Fischer as a transition painting rendered by Bosch from between his ...
The Garden of Earthly Delights (Dutch: De tuin der lusten, lit. 'The garden of lusts') is the modern title [a] given to a triptych oil painting on oak panel painted by the Early Netherlandish master Hieronymus Bosch, between 1490 and 1510, when Bosch was between 40 and 60 years old. [1]
Adam and Eve in the Garden of Eden (Spanish: Adán y Eva en el Jardín del Edén) is a panel painting by Flemish Baroque painter Jan Brueghel the Younger.Created in the 17th century, it is now held in the collection of the Bank of the Republic and exhibited at the Miguel Urrutia Art Museum (MAMU), in Bogotá.
Expulsion from Paradise, painting by James Tissot (c. 1896–1902) The Expulsion illustrated in the English Junius manuscript, c. 1000 CE. The second part of the Genesis creation narrative, Genesis 2:4–3:24, opens with YHWH-Elohim (translated here "the L ORD God") [a] creating the first man (), whom he placed in a garden that he planted "eastward in Eden": [22]
Adam and Eve is the title of two famous works in different media by Albrecht Dürer, a German artist of the Northern Renaissance: an engraving made in 1504, and a pair of oil-on-panel paintings completed in 1507. The 1504 engraving depicts Adam and Eve in the Garden of Eden, surrounded by several symbolic animals. [1]
Upon Hosack's death in 1835, Expulsion from the Garden of Eden was left to his third wife, Magdalena Coster. When Coster died in 1846, John Kearney Rodgers, the husband of Hosack's youngest daughter, Emily Hosack, inherited the painting. [4] Eventually, in 1849, the painting was bought by James Lenox, a famed collector of paintings and books. [5]
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