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Portrait of Monsieur and Madame Manet: 1860: 111.5 × 91 cm: Musée d'Orsay (Paris) Portrait of Madame Brunet: 1860 (ca) 132.4 × 100 cm: J Paul Getty Museum (Los Angeles) The Spanish Singer: 1860: 147.3 × 114.3 cm: Metropolitan Museum of Art (New York) Boy Carrying a Sword: 1861: 131.1 × 93.4 cm: Metropolitan Museum of Art (New York) The ...
The late Manet painting, Le Printemps (1881), sold to the J. Paul Getty Museum for $65.1 million, setting a new auction record for Manet, exceeding its pre-sale estimate of $25–35 million at Christie's on 5 November 2014. [59] The previous auction record was held by Self-Portrait With Palette which sold for $33.2 million at Sotheby's on 22 ...
The House at Rueil (La maison du Rueil) is the title of two oil-on-canvas paintings by Édouard Manet completed in 1882. The paintings depict a view of the house where Manet and his family stayed for a few months before his death. The two versions are almost identical, but one is in landscape format, and the other is portrait format.
A Sprig of Asparagus (L'Asperge) is an 1880 oil on canvas painting by Édouard Manet, signed at the top right.It is now in the Musée d'Orsay. [1]: 291 In 1880, Charles Ephrussi, an art collector and patron of the arts, commissioned Manet to paint A Bundle of Asparagus for 800 francs.
The bunch of asparagus lies on a base of green leaves that reach from the left side to the lower right corner of the picture. Manet's biographer Théodore Duret speaks of a "lit d'herbes vertes" (bed of green leaves). [3] For the art historian Mikael Wivel, Manet presented the asparagus in the same way a greengrocer would display his goods. [4]
The painting measures 65.4 cm × 80 cm (25.7 in × 31.5 in) and it is signed and dated in the lower left corner, "Manet / 1878". This work echoes the composition of another Manet painting of 1878, Road-menders in the Rue Mosnier. Another 1878 Manet painting of a similar scene of the Rue Mosnier, decorated with flags, is held in a private ...
The Railway, widely known as Gare Saint-Lazare, is an 1873 painting by Édouard Manet. It is the last painting by Manet of his favourite model, the fellow painter Victorine Meurent, who was also the model for his earlier works Olympia and the Luncheon on the Grass. It was exhibited at the Paris Salon in 1874, and donated to the National Gallery ...
The Funeral (1867-1870) by Édouard Manet The Funeral (French – L'Enterrement ) is an 1867–1870 oil on canvas painting by Édouard Manet , now in the Metropolitan Museum of Art in New York . Incomplete, its style is very close to that of Effect of Snow on Petit-Montrouge and The Exposition Universelle of 1867 (Rouart, Widenstein 1975 no. 123).
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