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Art Institute of Chicago: Jesus Insulted by the Soldiers: 1865: 190.8 × 148.3 cm: Art Institute of Chicago: Bullfight: 1865 / 1866: 90 × 110 cm: Musée d'Orsay (Paris) Bullfight – Death of the Bull: 1865 / 1866: 48 × 60.4 cm: Art Institute of Chicago: The Matador Saluting: 1866 / 1867: 171.1 × 113 cm: Metropolitan Museum of Art (New York ...
Repose (French: Le Repos, 'Rest') is an oil on canvas painting by French painter Édouard Manet, from c. 1871. It is held in the Rhode Island School of Design Museum, in Providence. [1] The painting is a portrait of the artist Berthe Morisot, a regular model, who was married to Manet's brother, Eugène.
The late Manet painting, Le Printemps (1881), sold to the J. Paul Getty Museum for $65.1 million, setting a new auction record for Manet, exceeding its pre-sale estimate of $25–35 million at Christie's on 5 November 2014. [59] The previous auction record was held by Self-Portrait With Palette which sold for $33.2 million at Sotheby's on 22 ...
In style this painting represented Manet's closest approach to impressionism. Croquet at Boulogne, 1871. Nelson-Atkins Museum of Art, Kansas City. In 1871, Manet had painted another work with the same name — La partie de croquet — which has been translated as Croquet at Boulogne and, in Manet: A Model Family, as The Croquet Party.
Claude Monet Painting in his Studio or Monet in his Boat is an 1874 oil on canvas painting by Édouard Manet. It shows his friend Claude Monet painting in his 'studio-boat' with his wife. This was an old boat Monet had bought around 1871 or 1872, from which he observed the light on the Seine – Daubigny also had a studio-boat called the Bottin ...
The House at Rueil (La maison du Rueil) is the title of two oil-on-canvas paintings by Édouard Manet completed in 1882. The paintings depict a view of the house where Manet and his family stayed for a few months before his death. The two versions are almost identical, but one is in landscape format, and the other is portrait format.
The painting measures 65.4 cm × 80 cm (25.7 in × 31.5 in) and it is signed and dated in the lower left corner, "Manet / 1878". This work echoes the composition of another Manet painting of 1878, Road-menders in the Rue Mosnier. Another 1878 Manet painting of a similar scene of the Rue Mosnier, decorated with flags, is held in a private ...
The Funeral (1867-1870) by Édouard Manet. The Funeral (French – L'Enterrement) is an 1867–1870 oil on canvas painting by Édouard Manet, now in the Metropolitan Museum of Art in New York. Incomplete, its style is very close to that of Effect of Snow on Petit-Montrouge and The Exposition Universelle of 1867 (Rouart, Widenstein 1975 no. 123).
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