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Smudging, or other rites involving the burning of sacred herbs (e.g., white sage) or resins, is a ceremony practiced by some Indigenous peoples of the Americas.While it bears some resemblance to other ceremonies and rituals involving smoke (e.g., Australian smoking ceremony, some types of saining) from other world cultures, notably those that use smoke for spiritual cleansing or blessing, the ...
By cherry-picking certain beliefs and rituals from Native American communities shows “a real lack of concern and a real entitlement,” she says. People are making up their own rituals and ideas ...
Ceremonial Stone Landscapes is the term used by USET, United Southern and Eastern Tribes, Inc., [1] a nonprofit, intertribal organization of American Indians, for certain stonework sites in eastern North America.
A map of the Southeastern Ceremonial Complex and some of its associated sites. Southeastern Ceremonial Complex (formerly Southern Cult, Southern Death Cult or Buzzard Cult [1] [2]), abbreviated S.E.C.C., is the name given by modern scholars to the regional stylistic similarity of artifacts, iconography, ceremonies, and mythology of the Mississippian culture.
Many stone tools have been unearthed in areas which the Manahoac inhabited. They are usually made of the milky quartz common in the region. Their pottery was tempered with quartz and sand; it often featured fabric, net, or cord motifs as decoration.
Glazes are seldom used by indigenous American ceramic artists. Grease can be rubbed onto the pot as well. [2] Prior to contact, pottery was usually open-air fired or pit fired; precontact Indigenous peoples of Mexico used kilns extensively. Today many Native American ceramic artists use kilns. In pit-firing, the pot is placed in a shallow pit ...
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