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2-step garage, or simply 2-step, is a genre of electronic music and a subgenre of UK garage. [1] One of the primary characteristics of the 2-step sound – the term being coined to describe "a general rubric for all kinds of jittery, irregular rhythms that don't conform to garage's traditional four-on-the-floor pulse" [1] – is that the rhythm lacks the kick drum pattern found in many other ...
The B-side of this record changed the UK garage scene from funky and soulful to dark and bassy. Another example of the evolution in 2-step was the release of "Troublesome" in 1999 by Shy Cookie and DJ Luck, in which non-sampled 2-step beats were merged with a full ragga vocal (performed by ragga artist Troublesome). R&B had a large influence on ...
Breakbeat is a broad type of electronic music that uses drum breaks, often sampled from early recordings of funk, jazz, and R&B.Breakbeats have been used in styles such as Florida breaks, hip hop, jungle, drum and bass, big beat, breakbeat hardcore, and UK garage styles (including 2-step, breakstep and dubstep).
Moving away from the more soulful elements of garage, it incorporated downtempo drum and bass style basslines, trading the shuffle of 2-step for a more straightforward breakbeat drum pattern. The breakthrough for this style came in 1999 from DJ Dee Kline 's " I Don't Smoke " selling 15,000 units on Rat Records, until eventually being licensed ...
Dubstep is a genre of electronic dance music that originated in South London in the early 2000s. The style emerged as a UK garage offshoot [1] that blended 2-step rhythms and sparse dub production, as well as incorporating elements of broken beat, grime, and drum and bass. [2]
This is a list of electronic music genres, consisting of genres of electronic music, primarily created with electronic musical instruments or electronic music technology. A distinction has been made between sound produced using electromechanical means and that produced using electronic technology. [ 1 ]
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Meanwhile, Horsepower Productions' 12-inches and other similarly minded music experimenting with the garage archetype were staples in Croydon's Big Apple Records, a record shop staffed and frequented by many artists later to become extremely influential in the dubstep and grime genres.