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"Memphis Soul Stew" is a song by American saxophonist and bandleader King Curtis (1934–1971). The track is a narrative that describes the Memphis Soul sound in terms of a cooking recipe, with each instrument introduced by Curtis. This includes "fatback drums", "a pinch of organ" and "a half-pint of horns".
In 1965 he moved to Atlantic Records and recorded his most successful singles, "Memphis Soul Stew" and "Ode to Billie Joe" (1967). In 1966 Curtis recorded 3 songs with Jimi Hendrix, "Linda Lou", "Baby How About You" and "I Can't Take It". Unissued, the tapes were later destroyed in a fire at Atlantic's master tape library.
He also produced and played bass on King Curtis's single "Memphis Soul Stew" in 1967. [4] He also produced and played bass on " Everlasting Love " by Carl Carlton , a hit in 1974. Cogbill died of a stroke on December 7, 1982, in Nashville , [ 5 ] aged 50.
The Memphis Horns 25. "Them Changes" King Curtis 26. "Whole Lotta Love" King Curtis 27. "A Whiter Shade of Pale" King Curtis 28. "I Stand Accused" King Curtis 29. "Soul Serenade" King Curtis 30. "Memphis Soul Stew" King Curtis 31. "Respect" Aretha Franklin 32. "Call Me" Aretha Franklin 33. "Love the One You're With" Aretha Franklin 34.
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Soul Meeting is the sixth album by saxophonist King Curtis and was released on the Prestige label in 1960 as 7222 and PRLP 7222. It features performances by Curtis, Nat Adderley , Wynton Kelly , Sam Jones , Paul Chambers , Belton Evans , and Oliver Jackson .
Documentary series "STAX: Soulsville U.S.A.," about the iconic Memphis label, is a story of groundbreaking music, hard truths and unhappy endings.
Memphis soul, also known as the Memphis sound, is the most prominent strain of Southern soul. It is a shimmering, sultry style produced in the 1960s and 1970s at Stax Records and Hi Records in Memphis, Tennessee , featuring melodic unison horn lines, organ, guitar, bass, and a driving beat on the drums.
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