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The Chapel of Our Lady of the Miraculous Medal is located in Rue du Bac, Paris. The Miraculous Medal (French: Médaille miraculeuse), also known as the Medal of Our Lady of Graces, is a devotional medal, the design of which was originated by Catherine Labouré following her apparitions of the Blessed Virgin Mary [2] in the Chapel of Our Lady of the Miraculous Medal of Paris, France.
When the Anglo-French troops formed the siege of Sevastopol, Bosquet's corps of two divisions protected them against interruption. Referring to the Charge of the Light Brigade, Bosquet muttered the memorable line: C’est magnifique, mais ce n’est pas la guerre: c'est de la folie ("It is magnificent, but it is not war: it is madness"). [2]
"C'est Magnifique" ("It's Magnificent") is a 1953 popular song written by Cole Porter for his 1953 musical Can-Can, where it was introduced by Lilo and Peter Cookson. [1] The song became a standard. The only version to chart was by Gordon MacRae which reached No. 29 for one week.
In French, les objets trouvés, short for le bureau des objets trouvés, means the lost-and-found, the lost property. outré out of the ordinary, unusual. In French, it means outraged (for a person) or exaggerated, extravagant, overdone (for a thing, esp. a praise, an actor's style of acting, etc.); in that second meaning, belongs to "literary ...
Robert I of Normandy a.k.a. Robert the Magnificent. The name Robert was a royal name in France, Germany, Scotland and England during the medieval period, and was the name of several kings, dukes, and other rulers and noblemen. It was one of the most popular male names in medieval Europe, likely due to its frequent usage amongst royalty and ...
Le Magnifique (literally The Magnificent; also known as The Man from Acapulco) is a 1973 spy comedy, a French/Italian international co-production, starring Jean-Paul Belmondo, Jacqueline Bisset and Vittorio Caprioli that was directed by Philippe de Broca. Le Magnifique is a slapstick spoof of B-series spy films and novels and the men who write ...
Vaucamp named each of his variations using comparable adjectives: impensable (unthinkable) for coffee, excentrique (eccentric) for cherry, and magnifique (magnificent) for praline. He also used names derived from the association of the word merveilleux with French fashion of the late 18th century: sans-culotte for caramel.
A magnificent man knows that the expenditure should be large, but appropriate to who is actually spending, the circumstance, and the object of the expense. The Aristotle scholar W. D. Ross suggested that in this conception magnificence turns out to be mainly a matter of aesthetic good taste. [9]
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