Search results
Results from the WOW.Com Content Network
The first English tragedy, Gorboduc (1561), by Thomas Sackville and Thomas Norton, is a chain of slaughter and revenge written in direct imitation of Seneca. (As it happens, Gorboduc does follow the form as well as the subject matter of Senecan tragedy: but only a very few other English plays—e.g.
Seneca's main sources were Stoic.J. Fillion-Lahille has argued that the first book of the De Ira was inspired by the Stoic philosopher Chrysippus' (3rd-century BC) treatise On Passions (Peri Pathôn), whereas the second and third drew mainly from a later Stoic philosopher, Posidonius (1st-century BC), who had also written a treatise On Passions and differed from Chrysippus in giving a bigger ...
He is regarded as the source and inspiration for what is known as "Revenge Tragedy", starting with Thomas Kyd's The Spanish Tragedy and continuing well into the Jacobean era. [67] Thyestes is considered Seneca's masterpiece, [68] and has been described by scholar Dana Gioia as "one of the most influential plays ever written". [69]
It is common to consider any tragedy containing an element of revenge a revenge tragedy. Lily Campbell argues that revenge is the great thematic uniter of all early modern tragedy, and "Elizabethan tragedy must appear as fundamentally a tragedy of revenge if the extent of the idea of revenge be but grasped". [5]
The work cannot be precisely dated, but since it is addressed to Lucilius, who is the addressee of some of Seneca's final works including his Letters, and since the essay has similarities to letters 106, 108, and 109 then the work is usually considered a late one dating to around 64 AD.
Phaedra is a Roman tragedy written by philosopher and dramatist Lucius Annaeus Seneca before 54 A.D. Its 1,280 lines of verse tell the story of Phaedra, wife of King Theseus of Athens and her consuming lust for her stepson Hippolytus.
big.assets.huffingtonpost.com
Thus, it is considered to be the first Italian tragedy identifiable as a Renaissance work. [7] [1] Ecerinis is not only significant for its historical information, but is modeled after the Senecan tragedy and is an indication of the early revival of classical works and their form – a characteristic of the humanist movement.