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A late antique oil lamp showing a human figure identified as Christ. Early Christian and late antique oil lamps were diverse. One of the most notable ones were Mediterranean sigillata (“African”) lamps. The motifs were largely geometric, vegetative and graphic (monograms), with figural depiction of animals and human figures, often Christ. [13]
Following this, the placement of an oil lamp with a picture of Jesus with the Sacred Heart iconography became common in Irish homes [1] to signify the household being consecrated to the Sacred Heart. [2] Originally an oil lamp with a red glass holder on a bracket, it was kept lit as a perpetual flame. [3]
Lamps from the 1890s consisted of a stand, font, chimney, and often a shade. [24] The font (also spelled "fount") held the kerosine for the lamp. [25] The chimney was a glass tube placed around the lamp's flame that had a bulge at the base that kept drafts away from the flame and added extra illumination. [26]
An Argand lamp in use in A Portrait of James Peale, done in 1822 by Charles Willson Peale Argand lamp with circular wick and glass chimney. Illustration from Les Merveilles de la science (1867–1869) by Louis Figuier. The Argand lamp is a type of oil lamp invented in 1780 by Aimé Argand.
The company was founded in 1840 when its founder, 22-year-old Robert Edwin Dietz, purchased a lamp and oil business in Brooklyn, New York. Though famous for well-built indoor and outdoor kerosene lanterns, it was a major player in the automotive lighting industry from the 1920s into the 1960s.
Stanley lit 23 businesses along a 4000 feet length of main street stepping a 500 AC volt current at the street down to 100 volts to power incandescent lamps at each location. [7] 1893 GE introduces first commercial fully enclosed carbon arc lamp. Sealed in glass globes, it lasts 100h and therefore 10 times longer than hitherto carbon arc lamps ...
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