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Portrait of Caspar David Friedrich, Gerhard von Kügelgen c. 1810–1820. Caspar David Friedrich (German: [ˌkaspaʁ ˌdaːvɪt ˈfʁiːdʁɪç] ⓘ; 5 September 1774 – 7 May 1840) was a German Romantic landscape painter, generally considered the most important German artist of his generation, whose often symbolic, and anti-classical work, conveys a subjective, emotional response to the ...
Wanderer above the Sea of Fog [a] is a painting by German Romanticist artist Caspar David Friedrich made in 1818. [2] It depicts a man standing upon a rocky precipice with his back to the viewer; he is gazing out on a landscape covered in a thick sea of fog through which other ridges, trees, and mountains pierce, which stretches out into the distance indefinitely.
This is an incomplete list of works by the German Romantic artist Caspar David Friedrich (1774–1840) by completion date where known. Friedrich was a prolific artist who produced over 500 attributed works; however, he is generally known for only a small number of works seen as emblems of Romanticism.
Caspar David Friedrich, (1774–1840) Moonrise by the Sea, 1822, 55x71 cm. German Romanticism (German: Deutsche Romantik) was the dominant intellectual movement of German-speaking countries in the late 18th and early 19th centuries, influencing philosophy, aesthetics, literature, and criticism.
Morning on the Riesengebirge (German - Morgen im Riesengebirge) is an 1810–1811 painting by the German Romantic artist Caspar David Friedrich of a scene on the Riesengebirge. It was exhibited at the Dresden Academy, where it attracted significant public attention. [ 1 ]
The Abbey in the Oakwood (German: Abtei im Eichwald) is an oil painting by the German Romantic artist Caspar David Friedrich.It was painted between 1809 and 1810 in Dresden and was first shown together with the painting The Monk by the Sea in the Prussian Academy of Arts exhibition of 1810.
However, Romanticism has had a lasting impact on Western civilization, and many works of art, music, and literature that embody the Romantic ideals have been made after the end of the Romantic Era. The movement's advocacy for nature appreciation is cited as an influence for current nature conservation efforts.
The painting depicts the view from the chalk cliffs of the Stubbenkammer, at that time one of the most famous lookout points on the island.It is frequently but incorrectly believed that the Wissower Klinken outcrops in particular were a model for the painting; however, these did not exist at the time of the painting's creation, but appeared later because of erosion.