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The rod, perch, or pole (sometimes also lug) is a surveyor's tool [1] and unit of length of various historical definitions. In British imperial and US customary units, it is defined as 16 + 1 ⁄ 2 feet, equal to exactly 1 ⁄ 320 of a mile, or 5 + 1 ⁄ 2 yards (a quarter of a surveyor's chain), and is exactly 5.0292 meters.
The Oxford Companion to Music describes three interrelated uses of the term "music theory": The first is the "rudiments", that are needed to understand music notation (key signatures, time signatures, and rhythmic notation); the second is learning scholars' views on music from antiquity to the present; the third is a sub-topic of musicology ...
January 19 – The Salzburg Festival is revived. [1]September 4 – City of Birmingham Orchestra (England) first rehearses (in a city police bandroom). Later this month, its first concert, conducted by Appleby Matthews, opens with Granville Bantock's overture Saul; in November it gives its "First Symphony Concert" when Edward Elgar conducts a programme of his own music in Birmingham Town Hall.
The fundamental concept of musical set theory is the (musical) set, which is an unordered collection of pitch classes. [4] More exactly, a pitch-class set is a numerical representation consisting of distinct integers (i.e., without duplicates). [5]
The Theory and Technique of Electronic Music (2007) Max (software), Pure Data: Philip Ewell: born 1966 Music Theory and the White Racial Frame (2020) Race in music, Russian and twentieth century music, as well as rap and hip hop [218] Ellie Hisama: Gendering Musical Modernism: The Music of Ruth Crawford, Marion Bauer, and Miriam Gideon (2007)
The New York city council enacts a set of restrictions on music performance, intending to crack down on cabarets. The restrictions hamper the city's musical life until their repeal in 1988. [160] The Los Angeles newspaper Rafu Shimpo begins documenting Japanese music in that city. [97] New York's Savoy Ballroom opens, with Chick Webb as
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In music theory, the term period refers to forms of repetition and contrast between adjacent small-scale formal structures such as phrases. In twentieth-century music scholarship, the term is usually used similarly to the definition in the Oxford Companion to Music : "a period consists of two phrases, antecedent and consequent, each of which ...