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Dramaturgy is a sociological perspective that analyzes micro-sociological accounts of everyday social interactions through the analogy of performativity and theatrical dramaturgy, dividing such interactions between "actors", "audience" members, and various "front" and "back" stages.
Collective representations are concepts, ideas, categories and beliefs that do not belong to isolated individuals, but are instead the product of a social collectivity. [1] Émile Durkheim (1858-1917) originated the term "collective representations" to emphasise the way that many of the categories of everyday use–space, time, class, number etc–were in fact the product of collective social ...
A term referring to a fictional character (by whatever name) whose job it is to explain the plot or parts of a plot to other characters and the audience. mood lighting The deliberate use of certain lighting characteristics in a scene or even an entire film in order to provoke a particular state of mind or feeling in the viewer.
Marx and Engels typically use the term to refer to the socioeconomic relationships characteristic of a specific epoch; for example: a capitalist's exclusive relationship to a capital good, and a wage worker's consequent relation to the capitalist; a feudal lord's relationship to a fief, and the serf's consequent relation to the lord; a ...
Visual sociology attempts to study visual images produced as part of culture. Art , photographs , film , video , fonts , advertisements , computer icons , landscape , architecture , machines , fashion , makeup , hair style , facial expressions , tattoos , and so on are parts of the complex visual communication system produced by members of ...
ERM protein family: ezrin, radixin and moesin; Effects range median, in environmental toxicology; Electronic resource management, used by librarians; Emotion-in-relationships model, a theory designed to predict individual's experiences towards emotions
Feminist film theory, such as Marjorie Rosen's Popcorn Venus: Women, Movies, and the American Dream (1973) and Molly Haskell’s From Reverence to Rape: The Treatment of Women in Movies (1974) analyze the ways in which women are portrayed in film, and how this relates to a broader historical context.
In micro-sociology, interactionism is a theoretical perspective that sees social behavior as an interactive product of the individual and the situation. [1] In other words, it derives social processes (such as conflict, cooperation, identity formation) from social interaction, [2] whereby subjectively held meanings are integral to explaining or understanding social behavior.