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The Pinakothek der Moderne unifies the Bavarian State Collection of Modern and Contemporary Arts, the National Collection of Works on Paper and the Museum for Design and Applied Arts with the Munich Technical University's Museum of Architecture in one building and is deemed one of the most important and popular museums of modern art in Europe ...
Since 1945 the collection, previously exhibited in the Haus der Kunst, has grown quickly by purchase, as well as donations by individuals and several foundations.Various art movements of the 20th century are represented in the collection, including Expressionism, Fauvism, Cubism, New Objectivity, Bauhaus, Surrealism, Abstract Expressionism, Pop Art and Minimal Art.
The Glyptothek (German: [ɡlʏptoˈteːk] ⓘ) is a museum in Munich, Germany, which was commissioned by the Bavarian King Ludwig I to house his collection of Greek and Roman sculptures (hence γλυπτο- glypto-"sculpture", from the Greek verb γλύφειν glyphein "to carve" and the noun θήκη "container").
The Munich Stadtmuseum (German: "Münchner Stadtmuseum") or Munich City Museum, is the city museum of Munich. It was founded in 1888 by Ernst von Destouches. [ 1 ] It is located in the former municipal arsenal and stables, both buildings of the late Gothic period.
The city of Munich acquired the building in 1924 and opened a museum there in 1929. The latest wing was closed to the public in 2009 to allow the expansion and restoration of the Lenbachhaus by Norman Foster; the 1972 extension was demolished to make way for the new building. The museum reopened in May 2013.
In 2002, the National Collection of Modern and Contemporary Arts moved into the Pinakothek der Moderne.Today, while housing no permanent art exhibition of its own, the Haus der Kunst is still used as a showcase venue for temporary exhibitions and traveling exhibitions, [3] including on Tutankhamun, Zeit der Staufer, Gilbert and George (2007), Andreas Gursky (2007), Anish Kapoor (2007), Ai ...
The Alte Pinakothek was the largest museum in the world and structurally and conceptually well advanced through the convenient accommodation of skylights for the cabinets. [4] Even the Neo-Renaissance exterior of the Pinakothek clearly stands out from the castle-like museum type common in the early 19th century. It is closely associated with ...
When the museum was founded, the separation to the old masters in the Alte Pinakothek was fixed with the period shortly before the turn of the 19th century, which has become a prototype for many galleries. Owing to the personal preference of Ludwig I, the museum initially had a strong focus on paintings of German Romanticism and the Munich School.
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