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Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
There are also cases of the identifying pronoun na developing into an affirmative marker. na is reanalyzed into a clause final particle simultaneously with the denominalisation of the clausal subject which brings the result of na as a clause nominalising particle which can again be reanalyzed as a positive, future, marker. [ 7 ]
Cadence: the patterning of rhythm in poetry, or natural speech, without a distinct meter; Catalexis: shortening of a line by one element (adjective: catalectic) Acatalexis: the opposite of catalexis; Acephalous line: a line lacking the first element; Line: a unit into which a poem is divided
In this poem, Whitman uses synonyms and antonyms to give structural integrity to a poem comprising two yoked stanzas, much like (but not exactly like) the way poets working within closed forms use meter and rhyme to give structural integrity to their poems. The poem has form, but the form was not imposed by previous conventions. It has open ...
Priamel – a series of compared alternatives which serve as foils to the true subject of a poem. Procatalepsis – in argumentation, the speaker answers the opponent's possible objections before they can be made. Progymnasmata – a series of preliminary rhetorical exercises that began in ancient Greece and continued during the Roman Empire.
In written language, removing words that are not strictly necessary sometimes makes writing seem stilted or awkward, especially if the words are cut from an idiomatic expression. On the other hand, as is the case with any literary or rhetorical effect, excessive use of pleonasm weakens writing and speech; words distract from the content.
Poetry (from the Greek word poiesis, "making") is a form of literary art that uses aesthetic and often rhythmic [1] [2] [3] qualities of language to evoke meanings in addition to, or in place of, literal or surface-level meanings. Any particular instance of poetry is called a poem and is written by a poet.
Poetic diction is the term used to refer to the linguistic style, the vocabulary, and the metaphors used in the writing of poetry.In the Western tradition, all these elements were thought of as properly different in poetry and prose up to the time of the Romantic revolution, when William Wordsworth challenged the distinction in his Romantic manifesto, the Preface to the second (1800) edition ...