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The use of closing credits in film to list complete production crew and the cast was not firmly established in American film until the late 1960s and early 1970s. Films generally had opening credits only, which consisted of just major cast and crew, although sometimes the names of the cast and the characters they played would be shown at the ...
Post-credits scenes may have their origins in encores, an additional performance added to the end of staged shows in response to audience applause. [1] Opera encores were common practice in the 19th century, when the story was often interrupted so a singer could repeat an aria, but fell out of favor in the 1920s due to rising emphasis on dramatic storytelling rather than vocal performance.
"Tomorrow, Wendy" was the closing track on Bloodletting because the band considered it to be "the blackest song on the record". [20] Through Bloodletting, Concrete Blonde's version of the song preceded the release of Prieboy's recording by a couple of months. [3]
The end of the movie (an homage to VH1's Pop-Up Video) reveals that the song becomes a hit for Cora and Alex, the film version of Sloan's novel flops with critics and moviegoers (destroying his career), PoP! reunites for their induction into the Rock and Roll Hall of Fame, after which their lead singer Colin Thompson (who left the band with ...
Bloodletting is the third studio album by American alternative rock band Concrete Blonde. Released on May 15, 1990, the album marks a shift for the band toward gothic rock. It features guest appearances by R.E.M.'s Peter Buck and Wall of Voodoo's Andy Prieboy. Bloodletting peaked at number 8 on the Australian ARIA Charts and was certified gold ...
"Caroline" is a song from American alternative rock band Concrete Blonde, which was released in 1990 as the third single from their third studio album Bloodletting. The song was written by Johnette Napolitano, and produced by Concrete Blonde and Chris Tsangarides. The song reached number 23 on the US Billboard Modern Rock Tracks chart. [1]
The movie tells the story of five Mexican American high schoolers — Joe Treviño, Gene Vasquez, Felipe Romero, Mario Lomas and Lupe Felan — who were caddies at a country club in Del Rio, Texas ...
Bloodletting is a 1997 American direct-to-video horror film written and directed by Matthew Jason Walsh [1] [2] and executive produced by J. R. Bookwalter. [3] The film was shot-on-video, [4] and stars James L. Edwards as Butch Harlow, a serial killer who is blackmailed by young woman Serena Stalin (Ariauna Albright) into taking her on as his apprentice.